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    <title>kottke.org</title>
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    <id>tag:kottke.org,2009-08-11:05118</id>
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    <subtitle>Jason Kottke&apos;s weblog, home of fine hypertext products</subtitle>

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<entry>
    <title>Watch the Throne 2?!!</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/watch-the-throne-2" />
    <id>tag:kottke.org,2012://5.22231</id>

    <published>2012-05-26T01:41:58Z</published>
    <updated>2012-05-26T01:41:58Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Kanye and Jay-Z <a href="http://www.vibe.com/article/watch-throne-2-confirmed">are doing a second album together</a>!</p>

<blockquote><p>Kanye West's producer Mike Dean, who co-produced part of Jay and 'Ye's Watch the Throne, has confirmed that there will be a Watch the Throne 2! While Dean revealed that a follow up album is definitely in the works, he was unable to give a specific time for its release.</p></blockquote>

<p>Maybe they'll call it Watch the Throner?</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Jay-Z">Jay-Z</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Kanye West">Kanye West</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/music">music</a>]]>
    </content>
</entry>

<entry>
    <title>The Keaton Music Typewriter</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/the-keaton-music-typewriter" />
    <id>tag:kottke.org,2012://5.22180</id>

    <published>2012-05-26T00:09:47Z</published>
    <updated>2012-05-26T00:09:47Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>No, it's not a typewriter that plays music. <a href="http://www.etsy.com/listing/80501138/rare-keaton-music-typewriter">The Keaton Music Typewriter</a> was invented in 1936 for the purpose of printing musical notes on sheet music paper.</p>

<p><img src="http://also.kottke.org/misc/images/music-typewriter.jpg" width="640" height="427" border="0" alt="Music Typewriter" /></p>

<blockquote><p>The Keaton Music Typewriter was first patented in 1936 (14 keys) by Robert H. Keaton from San Francisco, California. Another patent was taken out in 1953 (33 keys) which included improvements to the machine. The machine types on a sheet of paper lying flat under the typing mechanism. There are several Keaton music typewriters thought to be in existence in museums and private collections. It was marketed in the 1950s and sold for around $225. The typewriter made it easier for publishers, educators, and other musicians to produce music copies in quantity. Composers, however, preferred to write the music out by hand.</p></blockquote>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/music">music</a>]]>
    </content>
</entry>

<entry>
    <title>Scientific secrets?</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/scientific-secrets" />
    <id>tag:kottke.org,2012://5.22228</id>

    <published>2012-05-25T15:38:46Z</published>
    <updated>2012-05-25T15:38:46Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Soon after the US dropped two nuclear bomb on Japan in 1945, a group of physicists at the University of Pennsylvania <a href="http://www.physicstoday.org/resource/1/phtoad/v65/i5/p47_s1?bypassSSO=1">decided to investigate for themselves how nuclear fission and the bomb might work using non-classified materials</a>. In doing so, they ventured into classified territory and raised questions about the nature of science and secrecy.</p>

<blockquote><p>To what degree would nuclear research become shackled by the requirements of national security? Would the open circulation of new scientific knowledge cease if that knowledge was relevant to nuclear fission? Those questions were hardly idle speculation: From the fall of 1945 through the summer of 1946, the US Congress was crafting new, unprecedented legislation that would legally define the bounds of open scientific research and even free speech. The idea of restricting open scientific communication "may seem drastic and far-reaching," President Harry S. Truman argued in an October 1945 statement exhorting Congress to rapid action. But, he said, the atomic bomb "involves forces of nature too dangerous to fit into any of our usual concepts."</p>

<p>The former Manhattan Project scientists who founded what would eventually become the Federation of American Scientists were adamantly opposed to keeping nuclear technology a closed field. From early on they argued that there was, as they put it, "no secret to be kept." Attempting to control the spread of nuclear weapons by controlling scientific information would be fruitless: Soviet scientists were just as capable as US scientists when it came to discovering the truths of the physical world. The best that secrecy could hope to do would be to slightly impede the work of another nuclear power. Whatever time was bought by such impediment, they argued, would come at a steep price in US scientific productivity, because science required open lines of communication to flourish.</p>

<p>At the University of Pennsylvania were nine scientists sympathetic to that message. All had been involved with wartime work, but in the area of radar, not the bomb. Because they had not been part of the Manhattan Project in any way, they were under no legal obligation to maintain secrecy; they were simply informed private citizens. In the fall of 1945, they tried to figure out the technical details behind the bomb.</p></blockquote>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/atomic bomb">atomic bomb</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/physics">physics</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/science">science</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/World War II">World War II</a>]]>
    </content>
</entry>

<entry>
    <title>The AOL hotel</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/the-aol-hotel" />
    <id>tag:kottke.org,2012://5.22230</id>

    <published>2012-05-25T13:44:56Z</published>
    <updated>2012-05-25T13:44:56Z</updated>

    <author>
        <name>Aaron Cohen</name>
        <uri>http://www.unlikelywords.com</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Eric Simons is a 19-year-old entrepreneur who <a href="http://news.cnet.com/8301-32973_3-57440513-296/meet-the-tireless-entrepreneur-who-squatted-at-aol/">lived for two months</a> in the AOL HQ in Palo Alto. Simons was given a badge while participating in Imagine K12, an education incubator housed at AOL. When the program ended, Simons's badge continued to work. So he stayed, sleeping on one of three couches, showering in the gym, and eating for free in the cafeteria. There's a walled garden joke in here, maybe even a domain squatting joke, too.</p>

<blockquote><p>For someone with neither money nor an aversion to sleeping on others' couches, the AOL building had plenty of allure. "They had a gym there with showers," Simons said. "I'd take a shower after work. I was like, 'I could totally work here...They have food upstairs, they have every drink on tap. This would be a sweet place to live.'" </p></blockquote>

<p>It's too bad Simons didn't keep a Tumblr of his two months living at AOL, he'd have a book deal already. (via <a href="http://stellar.io/asimone">&#9733;asimone</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/AOL">AOL</a>]]>
    </content>
</entry>

<entry>
    <title>Alan Rickman drinks tea dramatically</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/alan-rickman-drinks-tea-dramatically" />
    <id>tag:kottke.org,2012://5.22229</id>

    <published>2012-05-24T20:58:30Z</published>
    <updated>2012-05-24T20:58:30Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Many of you liked <a href="http://kottke.org/12/05/epic-video-of-a-slinky-on-a-treadmill">the slinky on the treadmill video</a>. This slow-motion video of Alan Rickman drinking tea isn't quite as compelling, but it's not bad either. Wait for the drop around 1:22 before judging.</p>

<p><iframe width="640" height="360" src="http://www.youtube.com/embed/AwVf8b2Skgs" frameborder="0" allowfullscreen></iframe></p>

<p>The original video without the dramatic sound <a href="http://vimeo.com/27337356">is here</a>. (<a href="http://www.davidmichalek.net/portraits/about.php">More info.</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Alan Rickman">Alan Rickman</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/slow motion">slow motion</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>XOXO conference</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/xoxo-conference" />
    <id>tag:kottke.org,2012://5.22227</id>

    <published>2012-05-24T19:39:51Z</published>
    <updated>2012-05-24T19:39:51Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>My pal Andy Baio is throwing a conference in Portland in September and <a href="http://www.kickstarter.com/projects/waxpancake/xoxo-festival">funding the whole thing on Kickstarter</a>.</p>

<blockquote><p>XOXO is a celebration of disruptive creativity. We want to take all the independent artists using the Internet to make a living doing what they love -- the makers, craftspeople, musicians, filmmakers, comic book artists, game designers, hardware hackers -- and bring them together with the technologists building the platforms that make it possible. If you have an audience and a good idea, nothing's standing in your way.</p></blockquote>

<p>It reminds me a bit of what SXSW used to be. I bought a ticket and am hoping to be there. Only 68 tickets remaining so if you want to go, you'd better pull the trigger on the ticket gun.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Andy Baio">Andy Baio</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/conferences">conferences</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/XOXO">XOXO</a>]]>
    </content>
</entry>

<entry>
    <title>Ayrton Senna&apos;s heel-and-toe braking technique</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/ayrton-sennas-heel-and-toe-braking-technique" />
    <id>tag:kottke.org,2012://5.22225</id>

    <published>2012-05-24T16:51:47Z</published>
    <updated>2012-05-24T16:51:47Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>There's a driving technique called <a href="http://en.wikipedia.org/wiki/Heel-and-toe">heel-and-toe</a> where the driver uses all three pedals (brake, clutch, throttle) at once to make deceleration smoother, especially in the turns.</p>

<blockquote><p>Heel-toe or heel-and-toe double-declutching is used before entry into a turn while a vehicle is under braking, preparing the transmission to be in the optimal range of rpm to accelerate out of the turn. One benefit of downshifting before entering a turn is to eliminate the jolt to the drivetrain, or any other unwanted dynamics. The jolt will not upset the vehicle as badly when going in a straight line, but the same jolt while turning may upset the vehicle enough to cause loss of control if it occurs after the turn has begun. Another benefit is that "heel-and-toeing" allows the driver to downshift at the last moment before entering the turn, after starting braking and the car has slowed, so the engine speed will not be high enough when the lower gear is engaged.</p></blockquote>

<p>Here is a video of Formula One great Ayrton Senna demonstrating the techique in a Honda NSX. You'll note he's wearing a button-down shirt, dress pants, Italian loafers, and no helmet while burying the speedometer on his way around the track.</p>

<p><iframe width="640" height="480" src="http://www.youtube.com/embed/8By2AEsGAhU" frameborder="0" allowfullscreen></iframe></p>

<p>It's a bit difficult to understand from the video what Senna is actually doing...<a href="http://www.youtube.com/watch?v=-ndly3FCcLA">this step-by-step video</a> shows the heel-and-toe technique more clearly. (thx, micah)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Ayrton Senna">Ayrton Senna</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/racing">racing</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/sports">sports</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>Subscribe to Jason Kottke on Quarterly</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/subscribe-to-jason-kottke-on-quarterly" />
    <id>tag:kottke.org,2012://5.22219</id>

    <published>2012-05-24T02:19:44Z</published>
    <updated>2012-05-24T02:19:44Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p><a href="http://quarterly.co/">Quarterly</a> is a hybrid of a magazine and an online store...you subscribe to people and receive items in the mail. It's a fun idea and I'm pleased to announce that <a href="http://quarterly.co/contributors/jason-kottke">you can now subscribe to me on Quarterly</a>. Here's what I'm planning on sending out, very generally:</p>

<blockquote><p>Each day on kottke.org, I attempt to find the interesting in everything. Part of that is casting a wide net and looking for connections between seemingly unrelated things. I hope that -- for instance -- a sports freak can appreciate something about how the human brain works, a book editor is enticed to read about the history of the American automobile industry, or a startup CEO can find business lessons in fashion. In that vein, I'll be sending you things that you didn't know you wanted to see until you saw them.</p></blockquote>

<p>Price is $25 per quarter with the first mailing shipping in about two months. <a href="http://quarterly.co/contributors/jason-kottke">Sign up!</a></p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Jason Kottke">Jason Kottke</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Quarterly">Quarterly</a>]]>
    </content>
</entry>

<entry>
    <title>Skydiver lands safely without parachute</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/skydiver-lands-safely-without-parachute" />
    <id>tag:kottke.org,2012://5.22226</id>

    <published>2012-05-23T23:14:42Z</published>
    <updated>2012-05-23T23:14:42Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Gary Connery is apparently the first person to skydive out of an aircraft and land on the ground without injury without the use of a parachute.</p>

<p><iframe width="640" height="480" src="http://www.youtube.com/embed/_FsfWyYHxds?rel=0" frameborder="0" allowfullscreen></iframe></p>

<p>(via <a href="http://devour.com">devour</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Gary Connery">Gary Connery</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/skydiving">skydiving</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/sports">sports</a>]]>
    </content>
</entry>

<entry>
    <title>Ten Olympic events due for a comeback</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/ten-olympic-events-due-for-a-comeback" />
    <id>tag:kottke.org,2012://5.22221</id>

    <published>2012-05-23T20:58:40Z</published>
    <updated>2012-05-23T20:58:40Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Over at the NY Times Olympics blog, Victor Mather takes a look at <a href="http://london2012.blogs.nytimes.com/2012/05/21/longing-for-the-return-of-dueling-pistol/">a few sports that would be fun to see in the Olympic Games again</a>.</p>

<blockquote>
<p>3. Dueling pistol, 1906<br />
No actual duels were fought, alas. Rather, contestants shot at a dummy dressed in a frock coat. Shooting events tend to be rather dull to watch, but they would have a chance with creative thinking like this.</p></blockquote>

<p>And tandem bike racing!</p>

<p><iframe width="640" height="480" src="http://www.youtube.com/embed/hS3BLySqep8?rel=0" frameborder="0" allowfullscreen></iframe></p>

<p>And don't forget <a href="http://kottke.org/11/12/art-competitions-at-the-olympics">the art competitions</a>.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/list">list</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Olympic Games">Olympic Games</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/sports">sports</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Victor Mather">Victor Mather</a>]]>
    </content>
</entry>

<entry>
    <title>Six playoff games, four days</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/6-playoff-games-4-days" />
    <id>tag:kottke.org,2012://5.22223</id>

    <published>2012-05-23T19:01:36Z</published>
    <updated>2012-05-23T19:01:36Z</updated>

    <author>
        <name>Aaron Cohen</name>
        <uri>http://www.unlikelywords.com</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>With the LA Kings, LA Lakers, and LA Clippers all in the playoffs this year, the Staples Center has been pretty busy. Between May 17th and May 20th, there were 6 games. The crew at the Staples Center has to break the arena down between every game, what with all the different teams and sports. Watching the set up is pretty neat, and since no one would watch a four-day-long video, they've been kind enough to share a time lapse. Watch the arena go from Kings to Lakers to Clippers to Lakers to Kings to Clippers. My favorite parts are the pre-game introductions and that they lower the jumbotron every night.</p>

<p><iframe width="640" height="355" src="http://www.youtube.com/embed/v4rZjGNYxuo?rel=0" frameborder="0" allowfullscreen></iframe></p>

<p>(via <a href="http://www.quickish.com/tip/14376">Quickish</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Los Angeles">Los Angeles</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/sports">sports</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/time lapse">time lapse</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>Movie references from The Simpsons</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/movie-references-from-the-simpsons" />
    <id>tag:kottke.org,2012://5.22224</id>

    <published>2012-05-23T17:33:06Z</published>
    <updated>2012-05-23T17:33:06Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p><a href="http://moviesimpsons.tumblr.com/">Movie Simpsons</a> is a Tumblr of scenes from the Simpsons paired with the referenced movie scenes.</p>

<p><img src="http://also.kottke.org/misc/images/movie-simpsons.jpg" width="640" height="791" border="0" alt="Movie Simpsons" /></p>

<p>It's only just getting going, but 1995 Jason would have killed for this. The first time I watched Citizen Kane and The Godfather, I smacked my forehead with my hand so many times in recognition that it turned red.</p>]]>
    </content>
</entry>

<entry>
    <title>Drawings of the LHC in the style of Leonardo da Vinci</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/drawings-of-the-lhc-in-the-style-of-leonardo-da-vinci" />
    <id>tag:kottke.org,2012://5.22222</id>

    <published>2012-05-23T16:01:57Z</published>
    <updated>2012-05-23T16:01:57Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p><a href="https://openlab-mu-internal.web.cern.ch/openlab-mu-internal/05_Management/People_in_openlab/people_in_openlab/Individual_folders/Individual_folders_opl_related/S_Cittolin/Name_of_person1_bio.htm">Dr. Sergio Cittolin</a> has worked at CERN for the past 30 years as a research physicist. He has also <a href="http://cdsweb.cern.ch/record/1157741/">made several drawings of the Large Hadron Collider in the style of Leonardo da Vinci</a>.</p>

<p><img src="http://also.kottke.org/misc/images/lhc-da-vinci-01.jpg" width="640" height="601" border="0" alt="LHC da Vinci" /></p>

<p><img src="http://also.kottke.org/misc/images/lhc-da-vinci-02.jpg" width="640" height="601" border="0" alt="LHC da Vinci" /></p>

<p>Symmetry magazine <a href="http://www.symmetrymagazine.org/cms/?pid=1000707">profiled Cittolin</a> a few years ago.</p>

<blockquote><p>As a naturalist, da Vinci probed, prodded, and tested his way to a deeper understanding of how organisms work and why, often dissecting his object of study with this aim. "I thought, why not present the idea of data analysis to the world within the naturalist world of Leonardo?" Cittolin says. In the drawing below, the CMS detector is the organism to be opened; the particles passing through it and the tracks they leave behind are organs exposed for further investigation.</p>

<p>Cittolin brings a sense of humor to his work. For example, after betting CMS colleague Ariella Cattai that he could produce a quality drawing for the cover of the CMS tracker technical proposal by a given deadline, he included in the drawing a secret message in mirror-image writing-which was also a favorite of da Vinci's. The message jokingly demanded a particular reward for his hard work. The completed picture was delivered on time and within a few hours Cattai cleverly spotted and deciphered the message. She promptly presented him with the requested bottle of wine.</p></blockquote>

<p>(via <a href="http://stellar.io/johnpavlus">&#9733;johnpavlus</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/art">art</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Leonado da Vinci">Leonado da Vinci</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/LHC">LHC</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/physics">physics</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/science">science</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Sergio Cittolin">Sergio Cittolin</a>]]>
    </content>
</entry>

<entry>
    <title>Epic video of a Slinky on a treadmill</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/epic-video-of-a-slinky-on-a-treadmill" />
    <id>tag:kottke.org,2012://5.22220</id>

    <published>2012-05-23T13:48:25Z</published>
    <updated>2012-05-23T13:48:25Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>I had no idea a Slinky's adventures on a treadmill could be so dramatic or affecting. The stumble at ~1:43 is the most harrowing scene in film so far in 2012.</p>

<p><iframe width="640" height="360" src="http://www.youtube.com/embed/711bZ_pLusQ?rel=0" frameborder="0" allowfullscreen></iframe></p>

<p>(via <a href="http://stellar.io/">stellar</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Slinky">Slinky</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>Whiskey on the rocks. Literally!</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/whiskey-on-the-rocks-literally" />
    <id>tag:kottke.org,2012://5.22212</id>

    <published>2012-05-23T01:50:57Z</published>
    <updated>2012-05-23T01:50:57Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p><a href="http://sippingstones.com">Sipping Stones</a> are small stones that you put into your drink instead of ice. Gives new meaning to "on the rocks"!!! LOL LMAO ROFLCOPTER, etc.</p>

<blockquote><p>When enjoying a premium spirit, why tarnish the taste with water? Providing a slight chill protects the taste without drowning the quality.</p>

<p>Sipping Stones are made of all natural soapstone, which is non-porous and won't impart any taste or flavor. Generally Regarded As Safe (GRAS) by the FDA soapstone is comprised of talc, which will not react to water, alcohol, or other drinks. When used with care, Sipping Stones will not scratch your glassware.</p></blockquote>

<p>You can get nine of them <a href="http://www.amazon.com/exec/obidos/ASIN/B005D78RPU/ref=nosim/0sil8">for $15 from Amazon</a>. Has anyone used these? Are they any good?</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/food">food</a>]]>
    </content>
</entry>

<entry>
    <title>An atlas for the blind</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/an-atlas-for-the-blind" />
    <id>tag:kottke.org,2012://5.22218</id>

    <published>2012-05-22T19:27:51Z</published>
    <updated>2012-05-22T19:27:51Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p><a href="http://www.davidrumsey.com/blog/2012/5/21/atlas-for-the-blind-1837">The Atlas of the United States Printed for the Use of the Blind</a>, published in 1837 before Braille was widely used, used embossed printing of lines, words, and symbols to be finger-readable.</p>

<p><img src="http://also.kottke.org/misc/images/atlas-for-the-blind.jpg" width="640" height="713" border="0" alt="Atlas For The Blind" /></p>

<blockquote><p>Without a drop of ink in the book, the text and maps in this extraordinary atlas were embossed heavy paper with letters, lines, and symbols. To the best of our knowledge, this is the first atlas produced for the blind to read without the assistance of a sighted person. Braille was invented by 1825, but was not widely used until later. It represented letters well, but could not represent shapes and cartographic features.</p></blockquote>

<p>(via <a href="https://twitter.com/#!/ftrain">@ftrain</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/blind">blind</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/maps">maps</a>]]>
    </content>
</entry>

<entry>
    <title>A &quot;Kardashian&quot; as a unit of measure for attention</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/a-kardashian-as-a-unit-of-measure-for-attention" />
    <id>tag:kottke.org,2012://5.22217</id>

    <published>2012-05-22T16:26:10Z</published>
    <updated>2012-05-22T16:26:10Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Ethan Zuckerman proposes measuring attention with <a href="http://www.ethanzuckerman.com/blog/2012/05/02/an-idea-worth-at-least-40-nanokardashians-of-your-attention/">a unit of measure called a Kardashian</a>. One Kardashian is equal to the amount of worldwide media attention that Kim Kardashian gets in a day.</p>

<blockquote><p>I choose the Kardashian as a unit both because I like the mitteleuropean feel of the term -- like the Ohm or the Roentgen -- and because Kardashian is an exemplar of attention disconnected from merit, talent or reason. The Kardashian mentions how much attention is paid, not how much attention is deserved, so naming the unit after someone who is famous for being famous seems appropriate. Should the unit be adopted, I would hope that future scholars will calculate Kardashians using whatever public figure is appropriate at the time for being inappropriately famous.</p></blockquote>

<p>Example usage: The crisis in Greece received 12 microKardashians of attention today.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/celebrity">celebrity</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Ethan Zuckerman">Ethan Zuckerman</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Kim Kardashian">Kim Kardashian</a>]]>
    </content>
</entry>

<entry>
    <title>How the 30 Rock sausage is made</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/how-the-30-rock-sausage-is-made" />
    <id>tag:kottke.org,2012://5.22216</id>

    <published>2012-05-22T14:59:10Z</published>
    <updated>2012-05-22T14:59:10Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>This long four-part interview of 30 Rock show runner Robert Carlock at the AV Club is, as mentioned, long but worth reading if you're into TV or 30 Rock. <a href="http://www.avclub.com/articles/robert-carlock-walks-us-through-highlights-from-30,75380/">Part one</a> covers season one &amp; and part of two, and <a href="http://www.avclub.com/articles/robert-carlock-walks-us-through-highlights-from-30%2C75467/">part two</a> walks us through part of season two &amp; season three.</p>

<blockquote><p>[Jerry Seinfeld's] people and NBC were talking at a very high level about promoting Bee Movie, and they were encouraging us to use him. We were really eager to do anything we could to continue our life writing the show, in part, at that point, because we'd really fallen in love with writing it. I will never have another opportunity to write for those people again. Writing a half-hour for Alec Baldwin is insane. And to work with Tina. A lot of the things this show has done, like product integration and guest stars, is partly to give NBC the fewest number of excuses possible to get rid of us. If they're saying, "We'll promote you. Have Seinfeld on," and we all love Seinfeld, we'll sit down and try to find a way to do it on our terms-much like product integration, where every time we've done it, we've had the luxury of being able to call it out or mock it or integrate it. This past live show had a couple of P.I. things in it, because that was so much about television that you're able to do it. We were happy to have Jerry come on the show, and he shot 10 pages in a very long day. We usually shoot six or seven pages, so it was a real burden.</p></blockquote>

<p>Parts three &amp; four to come. (via <a href="https://twitter.com/#!/khoi">@khoi</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/30 Rock">30 Rock</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/interviews">interviews</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Robert Carlock">Robert Carlock</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/TV">TV</a>]]>
    </content>
</entry>

<entry>
    <title>Updates on previous entries for May 21, 2012*</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/updates-on-previous-entries-for-may-21-2012" />
    <id>tag:kottke.org,2012://5.22215</id>

    <published>2012-05-22T05:11:04Z</published>
    <updated>2012-05-22T05:11:04Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p><a href="http://kottke.org/12/05/fantastic-time-lapse-map-of-europe">Fantastic time lapse map of Europe, 1000 - 2005 A.D.</a> <em class="dimsmaller">orig. from May 15, 2012</em></p>

<p class="smaller">* Q: Wha? A: These previously published entries have been updated with new information in the last 24 hours. <a href="http://www.kottke.org/tag/post%20updates">You can find past updates here</a>.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/post updates">post updates</a>]]>
    </content>
</entry>

<entry>
    <title>Douche parking</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/douche-parking" />
    <id>tag:kottke.org,2012://5.22210</id>

    <published>2012-05-22T00:35:29Z</published>
    <updated>2012-05-22T00:35:29Z</updated>

    <author>
        <name>Aaron Cohen</name>
        <uri>http://www.unlikelywords.com</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>I can't tell if the app <a href="https://vimeo.com/42188610">featured in this video</a> is imaginary or not, but it's a great theoretical solution to the problem of douche parking. Douche parking is basically parking like a douche, and is way more prevalent in Russia than in the US. <a href="http://www.the-village.ru/">The Village</a> feels publicly shaming is the best way to deal with douches. Unfortunately, one trait of douches is an inability to be shamed.</p>

<p><iframe src="http://player.vimeo.com/video/42188610" width="640" height="360" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>

<p>(via <a href="http://stellar.io/interesting">&#9733;interesting</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/douches">douches</a>]]>
    </content>
</entry>

<entry>
    <title>Teaser trailer for P.T. Anderson&apos;s The Master</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/teaser-trailer-for-pt-andersons-the-master" />
    <id>tag:kottke.org,2012://5.22214</id>

    <published>2012-05-21T19:07:31Z</published>
    <updated>2012-05-21T19:07:31Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>The teaser trailer for P.T. Anderson's next film, The Master. Anderson himself cut the trailer -- why don't more director/editors do this?</p>

<p><iframe width="640" height="360" src="http://www.youtube.com/embed/9oZDKFoCqAw?rel=0" frameborder="0" allowfullscreen></iframe></p>

<blockquote><p>Written and directed by Academy Award nominee Paul Thomas Anderson (the acclaimed director of, There Will Be Blood, Magnolia and Boogie Nights), this story stars Academy Award winner Philip Seymour Hoffman (Capote) and Academy Award-nominee Joaquin Phoenix (Walk the Line). Set in America in the years following World War II, a charismatic intellectual (Hoffman) launches a faith-based organization and taps a young drifter (Phoenix) as his right-hand man. But as the faith begins to gain a fervent following, the onetime vagabond finds himself questioning the belief system he has embraced, and his mentor. A truly one-of-a-kind drama, which promises magnetic virtuoso performances, the film marks the fifth collaboration between Anderson and Hoffman, following Hard Eight, Boogie Nights, Magnolia, and Punch Drunk Love.</p></blockquote>

<p>As good as this looks, I'm a wee bit disappointed that this isn't a PT Anderson-directed documentary style film about Doctor Who's nemesis. Wouldn't that be something? (via <a href="http://cigsandredvines.blogspot.com/2012/05/master-teaser-trailer-has-arrived.html?spref=tw">cigarettes &amp; red vines</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/movies">movies</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/P.T. Anderson">P.T. Anderson</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/The Master">The Master</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/trailers">trailers</a>]]>
    </content>
</entry>

<entry>
    <title>Low-resolution 3D printing</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/low-resolution-3d-printing" />
    <id>tag:kottke.org,2012://5.22197</id>

    <published>2012-05-21T17:10:03Z</published>
    <updated>2012-05-21T17:10:03Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Dirk van der Kooij is a designer who uses a low-resoution 3D printer of sorts to print out plastic furniture with plastic recovered from recycled refrigerators.</p>

<p><iframe src="http://player.vimeo.com/video/17358934?byline=0&amp;portrait=0" width="640" height="363" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>

<p>Images of the finished product <a href="http://www.dirkvanderkooij.nl/en/product/endless-pulse-low-chair">are available on his web site</a> as are the chairs themselves, for &euro;840. (via <a href="https://twitter.com/#!/curiousoctopus">@curiousoctopus</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/design">design</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Dirk van der Kooij">Dirk van der Kooij</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/robots">robots</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>Aerial photo tour of the Alberta oil sands</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/aerial-photo-tour-of-the-alberta-oil-sands" />
    <id>tag:kottke.org,2012://5.22213</id>

    <published>2012-05-21T14:52:35Z</published>
    <updated>2012-05-21T14:52:35Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Since the companies mining the oil from the sands of Alberta wouldn't provide access to their operations to a reporter, he rented a plane and <a href="http://www.businessinsider.com/canadian-oil-sands-flyover-2012-5">took a bunch of photos</a>.</p>

<p><img src="http://also.kottke.org/misc/images/alberta-oil-sands.jpg" width="640" height="480" border="0" alt="Alberta Oil Sands" /></p>

<p>As <a href="https://twitter.com/#!/stewart/status/204330723371515904">Stewart said</a>, "Better than I thought".</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/energy">energy</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/oil">oil</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/photography">photography</a>]]>
    </content>
</entry>

<entry>
    <title>The coolest video of yesterday&apos;s annular solar eclipse</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/the-coolest-video-of-yesterdays-annular-solar-eclipse" />
    <id>tag:kottke.org,2012://5.22211</id>

    <published>2012-05-21T13:13:35Z</published>
    <updated>2012-05-21T13:13:35Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p><a href="http://corypoole.com/">Cory Poole</a> made this video of the annular solar ecplise yesterday using 700 photographs from a telescope with "a very narrow bandpass allowing you to see the chromosphere and not the much brighter photosphere below it."</p>

<p><iframe width="640" height="360" src="http://www.youtube.com/embed/DtkoAlwIpWY?rel=0" frameborder="0" allowfullscreen></iframe></p>

<p>Cory says: "The filter only allows light that is created when hydrogen atoms go from the 2nd excited state to the 1st excited state." Very cool.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/astronomy">astronomy</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Cory Poole">Cory Poole</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/eclipses">eclipses</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/photography">photography</a>]]>
    </content>
</entry>

<entry>
    <title>Ridley Scott is doing a Blade Runner sequel</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/ridley-scott-is-doing-a-blade-runner-sequel" />
    <id>tag:kottke.org,2012://5.22209</id>

    <published>2012-05-18T20:59:48Z</published>
    <updated>2012-05-18T20:59:48Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>In <a href="http://www.thedailybeast.com/articles/2012/05/17/ridley-scott-opens-up-about-prometheus-kick-ass-women-and-blade-runner-2.html">this interview with The Daily Beast</a>, Ridley Scott reveals that he's currently working on a sequel to Blade Runner.</p>

<blockquote><p>Funny enough, I started my first meetings on the Blade Runner sequel last week. We have a very good take on it. And we'll definitely be featuring a female protagonist.</p></blockquote>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Blade Runner">Blade Runner</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/movies">movies</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Ridley Scott">Ridley Scott</a>]]>
    </content>
</entry>

<entry>
    <title>Alien still hasn&apos;t listened to all of Voyager&apos;s Golden Record</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/alien-still-hasnt-listened-to-all-of-voyagers-golden-record" />
    <id>tag:kottke.org,2012://5.22208</id>

    <published>2012-05-18T19:42:25Z</published>
    <updated>2012-05-18T19:42:25Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Eighteen months on, the alien who discovered Voyager's Golden Record <a href="http://www.theonion.com/articles/alien-still-hasnt-gotten-around-to-listening-to-wh,28220/">still hasn't gotten around to listening to the whole thing</a>.</p>

<blockquote><p>"The wind, rain, and surf sounds are pretty cool, but I usually sort of zone out when it gets to the crickets chirping, and then I just end up turning it off," said Ellinger, adding that he will sometimes put the record on as background noise when he's cleaning his electro-biological habitat.</p></blockquote>

<p>Current status of The Onion: still really pretty good.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/audio">audio</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/space">space</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Voyager">Voyager</a>]]>
    </content>
</entry>

<entry>
    <title>Opening a beer bottle with a chainsaw</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/opening-a-beer-bottle-with-a-chainsaw" />
    <id>tag:kottke.org,2012://5.22207</id>

    <published>2012-05-18T17:35:50Z</published>
    <updated>2012-05-18T17:35:50Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>If you're attempting to enjoy beer and are without your bottle opener but you have your chainsaw, this will come in handy:</p>

<p><iframe width="640" height="480" src="http://www.youtube.com/embed/KZ-slvv_ZT4?rel=0" frameborder="0" allowfullscreen></iframe></p>

<p>Didn't spill a drop! See also <a href="http://www.youtube.com/watch?v=qrXmDiYHUY0">opening a beer bottle with a piece of paper</a>, <a href="http://www.youtube.com/watch?v=N9KJtKXCHx8">opening a beer bottle with a cigarette lighter</a>, and <a href="https://vimeo.com/41641079">opening a beer bottle with an iPad power brick</a>.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>The NY Times&apos; first restaurant critic</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/the-ny-times-first-restaurant-critic" />
    <id>tag:kottke.org,2012://5.22200</id>

    <published>2012-05-18T14:33:28Z</published>
    <updated>2012-05-18T14:33:28Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p><a href="http://www.nytimes.com/2012/05/09/dining/craig-claiborne-set-the-standard-for-restaurant-reviews.html?pagewanted=all">Craig Claiborne was the NY Times' first dedicated restaurant critic</a>, providing an example that was soon followed by newspapers everywhere in the US.</p>

<blockquote><p>Some American writers had nibbled at the idea of professional restaurant criticism before this, including Claiborne, who had written one-off reviews of major new restaurants for The Times. But his first "Directory to Dining," 50 years ago this month, marks the day when the country pulled up a chair and began to chow down. Within a few years, nearly every major newspaper had to have a Craig Claiborne of its own. Reading the critics, eating what they had recommended, and then bragging or complaining about it would become a national pastime.</p>

<p>As the current caretaker of the house that Claiborne built, I lack objectivity on this subject. Still, I believe that without professional critics like him and others to point out what was new and delicious, chefs would not be smiling at us from magazine covers, subway ads and billboards. They would not be invited to the White House, except perhaps for job interviews. Claiborne and his successors told Americans that restaurants mattered. That was an eccentric opinion a half-century ago. It's not anymore.</p></blockquote>

<p>A few years ago, <a href="http://kottke.org/07/09/first-ny-times-restaurant-review-circa-1859">I wrote about the first restaurant review to appear in the Times in 1859</a>...it's still one of my favorite posts.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Craig Claiborne">Craig Claiborne</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/food">food</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/NY Times">NY Times</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/restaurants">restaurants</a>]]>
    </content>
</entry>

<entry>
    <title>The history of the taco</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/history-of-the-taco" />
    <id>tag:kottke.org,2012://5.22191</id>

    <published>2012-05-17T20:40:03Z</published>
    <updated>2012-05-17T20:40:03Z</updated>

    <author>
        <name>Aaron Cohen</name>
        <uri>http://www.unlikelywords.com</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>In this <a href="http://www.smithsonianmag.com/arts-culture/Where-Did-the-Taco-Come-From.html?c=y&story=fullstory">Smithsonian interview</a>, University of Minnesota history professor Jeffrey Pilcher drops serious knowledge on the history of tacos. Among other bits of taco trivia, Pilcher, author of the forthcoming book <a href="http://www.amazon.com/exec/obidos/ASIN/0199740062/ref=nosim/0sil8">Planet Taco: A Global History of Mexican Food</a>, roughly disabuses us of the lie spread by Glen Bell (of Taco Bell) that Bell invented the hard shell.</p>

<blockquote><p><strong>What made the fast-food taco possible?</strong>
The fast-food taco is a product of something called the "taco shell," a tortilla that has been pre-fried into that characteristic U-shape. If you read Glen Bell's authorized biography, he says he invented the taco shell in the 1950s, and that it was his technological breakthrough. Mexicans were cooking tacos to order -- fresh -- and Glen Bell, by making then ahead, was able to serve them faster. But when I went into the U.S. patent office records, I found the original patents for making taco shells were awarded in the 1940s to Mexican restaurateurs, not to Glen Bell.</p></blockquote>

<p>Pilcher's other books include editing The Oxford Handbook of Food History, and writing The Sausage Rebellion: Public Health, Private Enterprise, and Meat in Mexico City, 1890-1917 and Que vivan los tamales! Food and the Making of Mexican Identity. The Sausage Rebellion indeed.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/books">books</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/food">food</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Glenn Bell">Glenn Bell</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Jeffrey Pilcher">Jeffrey Pilcher</a>]]>
    </content>
</entry>

<entry>
    <title>Back on Bullseye</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/back-on-bullseye" />
    <id>tag:kottke.org,2012://5.22205</id>

    <published>2012-05-17T19:06:51Z</published>
    <updated>2012-05-17T19:06:51Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Jesse Thorn <a href="http://maximumfun.org/bullseye/bullseye-jesse-thorn-benedict-cumberbatch-morgan-webb-craig-finn-and-jason-kottke">had me on Bullseye again</a> to talk links. We discussed <a href="http://kottke.org/12/03/bentons-smokey-mountain-country-hams">Benton's ham</a> (see if you can make it past the "we're about to go ham" crack at the beginning) and <a href="http://www.sennamovie.com/">Senna</a>, one of my favorite films from the past six months.</p>

<p><iframe width="640" height="166" scrolling="no" frameborder="no" src="http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F46403877&amp;auto_play=false&amp;show_artwork=true&amp;color=ff7700"></iframe></p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Allan Benton">Allan Benton</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Bullseye">Bullseye</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Jesse Thorn">Jesse Thorn</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/movies">movies</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/podcasts">podcasts</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Senna">Senna</a>]]>
    </content>
</entry>

<entry>
    <title>How to use a paper towel</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/how-to-use-a-paper-towel" />
    <id>tag:kottke.org,2012://5.22206</id>

    <published>2012-05-17T16:44:16Z</published>
    <updated>2012-05-17T16:44:16Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>In the spirit of conservation, Joe Smith shows us how to use a paper towel properly.</p>

<p><iframe width="640" height="360" src="http://www.youtube.com/embed/2FMBSblpcrc?rel=0" frameborder="0" allowfullscreen></iframe></p>

<p>(via <a href="http://daringfireball.net/">df</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/how to">how to</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>Justin Bieber is a man</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/justin-bieber-is-a-man" />
    <id>tag:kottke.org,2012://5.22203</id>

    <published>2012-05-17T14:58:58Z</published>
    <updated>2012-05-17T14:58:58Z</updated>

    <author>
        <name>Aaron Cohen</name>
        <uri>http://www.unlikelywords.com</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Justin Bieber recently had his 18th birthday so GQ sent Drew Magary <a href="http://www.gq.com/entertainment/celebrities/201206/justin-bieber-gq-june-2012-interview?printable=true">to make him a man</a>. It didn't quite go as planned, but here are the 8 best parts of the story.</p>

<blockquote><p>Harrell is an incredibly nice man who looks like a black version of Johnny Depp's Willy Wonka, so I was happy to sit around and stare at his hair for a while.</p>

<p>If someone asks you if you'd like to punch Justin Bieber in the face, the answer is yes.</p>

<p>His voice is so high, it sounds like a ringtone.</p>

<p>No one can be normal living under the circumstances that constitute daily life for Justin Bieber.</p>

<p>We talk music, and he mentions his love for pre-"Black Album" Metallica--"One," "Fade to Black." "Those are my jams," he says.</p>

<p>"I'm 18 years old and I'm a swaggy adult!" he yells. "Come on, swaggy bros!"</p>

<p>His flow is slower than prostate cancer.</p>

<p>And he surely knows what it's like to be hated by people who've never met you. Unlike Kardashian, though, Bieber is legitimately talented.</p></blockquote>

<p>The new Vanilla Ice hairdo is puzzling...why would Bieber want to go anywhere near that one-hit wonder flame out mess?</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Drew Magary">Drew Magary</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Justin Bieber">Justin Bieber</a>]]>
    </content>
</entry>

<entry>
    <title>Face flapping photography</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/face-flapping-photography" />
    <id>tag:kottke.org,2012://5.22204</id>

    <published>2012-05-17T13:41:21Z</published>
    <updated>2012-05-17T13:41:21Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Tadao Cern sets people up in front of powerful fans and <a href="http://www.behance.net/gallery/Blow-Job/3926709">takes their pictures</a>. Instant fun house:</p>

<p><img src="http://also.kottke.org/misc/images/tadao-cern.jpg" width="600" height="900" border="0" alt="Tadao Cern" /></p>

<p>Many more of Cern's photos are available <a href="https://www.facebook.com/media/set/?set=a.364606033586614.77800.151290258251527&amp;type=3">on Facebook</a>. (via <a href="http://www.thisiscolossal.com/2012/05/gale-force-winds-directly-to-the-face/">colossal</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/art">art</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/photography">photography</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Tadao Cern">Tadao Cern</a>]]>
    </content>
</entry>

<entry>
    <title>Skating with shadows</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/skating-with-shadows" />
    <id>tag:kottke.org,2012://5.22202</id>

    <published>2012-05-17T01:33:31Z</published>
    <updated>2012-05-17T01:33:31Z</updated>

    <author>
        <name>Aaron Cohen</name>
        <uri>http://www.unlikelywords.com</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>I've seen <a href="http://www.youtube.com/watch?v=CQzUsTFqtW0">skateboarding dogs</a>, but I've never seen a <a href="http://vimeo.com/41753090">skateboarding shadow</a> before. The video feels like a dream sequence in a movie, a movie where some evil wizard turns the boys of Dogtown into shadows.</p>

<p><iframe src="http://player.vimeo.com/video/41753090?title=0&amp;byline=0&amp;portrait=0" width="640" height="360" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/skating">skating</a>]]>
    </content>
</entry>

<entry>
    <title>Sorkin to graduates: you&apos;re &quot;incredibly well-educated dumb people&quot;</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/sorkin-to-graduates-youre-incredibly-well-educated-dumb-people" />
    <id>tag:kottke.org,2012://5.22189</id>

    <published>2012-05-16T22:07:30Z</published>
    <updated>2012-05-16T22:07:30Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Aaron Sorkin recently <a href="http://www.syr.edu/news/articles/2012/sorkin-remarks-05-13.html">gave the commencement address at Syracuse University</a>.</p>

<blockquote><p>Make no mistake about it, you are dumb.  You're a group of incredibly well-educated dumb people.  I was there.  We all were there.  You're barely functional.  There are some screw-ups headed your way.  I wish I could tell you that there was a trick to avoiding the screw-ups, but the screw-ups, they're a-coming for ya.  It's a combination of life being unpredictable, and you being super dumb.</p></blockquote>

<p>But also, this:</p>

<blockquote><p>Don't ever forget that you're a citizen of this world, and there are things you can do to lift the human spirit, things that are easy, things that are free, things that you can do every day. Civility, respect, kindness, character. You're too good for schadenfreude, you're too good for gossip and snark, you're too good for intolerance -- and since you're walking into the middle of a presidential election, it's worth mentioning that you're too good to think people who disagree with you are your enemy.</p></blockquote>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Aaron Sorkin">Aaron Sorkin</a>]]>
    </content>
</entry>

<entry>
    <title>Kids review a Skrillex song</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/kids-review-a-skrillex-song" />
    <id>tag:kottke.org,2012://5.22201</id>

    <published>2012-05-16T20:32:51Z</published>
    <updated>2012-05-16T20:32:51Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>A bunch of cute kids review Bangarang by Skrillex.</p>

<p><iframe width="640" height="360" src="http://www.youtube.com/embed/0OlY7MwihXY?rel=0" frameborder="0" allowfullscreen></iframe></p>

<blockquote><p>What is dupstep?</p>

<p>I've never heard of that.</p>

<p>Daddy loves dubstep.</p></blockquote>

<p>A couple of the kids were asked what "the drop" meant:</p>

<blockquote><p>I think the drop is when you drop being sensible.</p>

<p>When it gets really quiet and then it gets really really really loud. BANG!</p></blockquote>

<p>(via <a href="http://stellar.io/interesting">&#9733;interesting</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/music">music</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Skrillex">Skrillex</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>A blind man&apos;s first experience with echolocation</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/a-blind-mans-first-experience-with-echolocation" />
    <id>tag:kottke.org,2012://5.22196</id>

    <published>2012-05-16T18:37:31Z</published>
    <updated>2012-05-16T18:37:31Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Austin Seraphin, who you may remember from <a href="http://behindthecurtain.us/2010/06/12/my-first-week-with-the-iphone/">his review of the iPhone</a>, <a href="http://behindthecurtain.us/2012/05/15/welcome-to-the-world-of-the-sighted/">recently learned how to use echolocation to navigate his physical environment in a new way</a>.</p>

<blockquote><p>We started out in the hallway outside of my condo. They turned an old school into lofts, so the hallways and stairwells look and sound like a school. He had me walk down the hallway without touching the walls by using echolocation. Just to make it clear: echolocation does not normally replace the use of a cane, but for this exercise I did not use a cane. I could hear the hard surfaces, and gradually the walls came into focus. I could actually do it. The walls provided the shoreline, and I could actually see them on either side and keep in the center.</p>

<p>I began to understand that this required a whole new way of thinking. Justin gave constant instruction to help me learn. "Scan left. Scan right. Now scan straight ahead. You have to start thinking like a sighted person." In deed, the muscles in the back of my neck would start to hurt because I did not need to move my head as much before. Now the direction of my gaze actually meant something.</p>

<p>We then journeyed to the stairwell. Now I would really begin to understand what thinking like a sighted person really meant. I scanned left, and saw a set of stairs going up like I had in my loft. I scanned right, and saw a set of stairs going down, which made sense. I scanned up, and saw something extend above and going back. What the hell? It took a minute to realize with Justin's help that I saw the set of steps above me on another stairway. I had never experienced that kind of vivid three dimensional emersion before. My brain flipped.</p></blockquote>

<p>See also <a href="http://www.mensjournal.com/the-blind-man-who-taught-himself-to-see">Daniel Kish</a> and <a href="http://www.youtube.com/watch?v=r9mvRRwu5Gw">Ben Underwood</a>. (via <a href="http://waxy.org">waxy</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Austin Seraphin">Austin Seraphin</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/blind">blind</a>]]>
    </content>
</entry>

<entry>
    <title>The sounds of Aronofsky</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/the-sounds-of-aronofsky" />
    <id>tag:kottke.org,2012://5.22195</id>

    <published>2012-05-16T17:56:41Z</published>
    <updated>2012-05-16T17:56:41Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>The person who made <a href="http://vimeo.com/35870502">Wes Anderson From Above</a> and <a href="http://vimeo.com/37540504">Tarantino From Below</a> has put together a supercut of distinct sounds from Darren Aronofsky's films.</p>

<p><iframe src="http://player.vimeo.com/video/42191484?byline=0&amp;portrait=0" width="640" height="360" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>

<p>(via <a href="http://stellar.io/interesting">&#9733;interesting</a>)</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Darren Aronofsky">Darren Aronofsky</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/movies">movies</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>Straight White Male, the game of life&apos;s lowest difficulty setting</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/straight-white-male-the-game-of-lifes-lowest-difficulty-setting" />
    <id>tag:kottke.org,2012://5.22194</id>

    <published>2012-05-16T16:48:57Z</published>
    <updated>2012-05-16T16:48:57Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Using a video game metaphor, <a href="http://whatever.scalzi.com/2012/05/15/straight-white-male-the-lowest-difficulty-setting-there-is/">John Scalzi explains straight white male privilege</a> for those straight white males who get hung up on the word "privilege".</p>

<blockquote><p>Dudes. Imagine life here in the US -- or indeed, pretty much anywhere in the Western world -- is a massive role playing game, like World of Warcraft except appallingly mundane, where most quests involve the acquisition of money, cell phones and donuts, although not always at the same time. Let's call it The Real World. You have installed The Real World on your computer and are about to start playing, but first you go to the settings tab to bind your keys, fiddle with your defaults, and choose the difficulty setting for the game. Got it?</p>

<p>Okay: In the role playing game known as The Real World, "Straight White Male" is the lowest difficulty setting there is.</p></blockquote>

<blockquote><p>You can lose playing on the lowest difficulty setting. The lowest difficulty setting is still the easiest setting to win on. The player who plays on the "Gay Minority Female" setting? Hardcore.</p></blockquote>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/John Scalzi">John Scalzi</a>]]>
    </content>
</entry>

<entry>
    <title>Facebook&apos;s current valuation in BK Whoppers</title>
    <link rel="alternate" type="text/html" href="http://kottke.org/12/05/facebooks-current-valuation-in-bk-whoppers" />
    <id>tag:kottke.org,2012://5.22193</id>

    <published>2012-05-16T15:28:42Z</published>
    <updated>2012-05-16T15:28:42Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="http://kottke.org/">
        <![CDATA[<p>Facebook's going public in a few days and will finally get a real valuation attached to it. During a 2009 Burger King promotion that doled out free Whoppers for deleting some of your Facebook friends, <a href="http://kottke.org/09/01/facebooks-valuation-in-whoppers">I estimated Facebook's valuation at about $1.8 billion</a>.</p>

<blockquote><p>What BK has unwittingly done here is provide a way to determine the valuation of Facebook. Let's assume that the majority of Facebook's value comes from the connections between their users. From Facebook's statistics page, we learn that the site has 150 million users and the average user has 100 friends. Each friendship is requires the assent of both friends so really each user can, on average, only end half of their friendships. The price of a Whopper is approximately $2.40. That means that each user's friendships is worth around 5 Whoppers, or $12. Do the math and:</p>

<p>$12/user X 150M users = $1.8 billion valuation for Facebook</p></blockquote>

<p>At the time, Facebook's estimated worth was anywhere between $9-15 billion, about an order of magnitude more than the company's 2009 Whopper valuation. According to <a href="http://newsroom.fb.com/content/default.aspx?NewsAreaId=22">the company's Key Facts page</a>, Facebook has 901 million monthly active users as of the end of March 2012. Doing the math again:</p>

<p>$12/user X 901M users = $10.8 billion valuation for Facebook</p></blockquote>

<p>Right now, the price range for the IPO <a href="http://www.washingtonpost.com/business/economy/facebook-plans-to-raise-ipo-price-range/2012/05/14/gIQA1plIQU_story.html">is $34-38 a share</a> which would put the company's overall valuation at $104 billion, the same order of magnitude more than the current Whopper valuation.</p>

<p>Now, I'm no economist, but that's a lot of hamburgers.</p>]]><![CDATA[ <strong>Tags:</strong> <a href="http://kottke.org/tag/Burger King">Burger King</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/economics">economics</a>&nbsp;&nbsp; <a href="http://kottke.org/tag/Facebook">Facebook</a>]]>
    </content>
</entry>



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