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    <id>tag:kottke.org,2009-08-11:05118</id>
    <updated>2018-06-26T20:33:27Z</updated>
    <subtitle>Jason Kottke&apos;s weblog, home of fine hypertext products</subtitle>

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<entry>
    <title>Album covers designed by Andy Warhol</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/album-covers-designed-by-andy-warhol" />
    <id>tag:kottke.org,2018://5.32398</id>

    <published>2018-06-26T20:33:27Z</published>
    <updated>2018-06-26T20:33:27Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>Of course you know he designed the album cover for The Velvet Underground & Nico&#8230;Warhol&#8217;s name (and not the band&#8217;s or the album&#8217;s) is right there underneath the electric yellow banana. But he also designed covers for the likes of Paul Anka, John Lennon, The Rolling Stones, Count Basie, Diana Ross, Kenny Burrell, and Aretha Franklin.</p>

<p><img src="/plus/misc/images/warhol-covers-01.jpg" width="1000" height="993" border="0" alt="Warhol Covers" /></p>

<p><img src="/plus/misc/images/warhol-covers-02.jpg" width="1000" height="1000" border="0" alt="Warhol Covers" /></p>

<p><img src="/plus/misc/images/warhol-covers-03.jpg" width="1000" height="991" border="0" alt="Warhol Covers" /></p>

<p><img src="/plus/misc/images/warhol-covers-04.jpg" width="1000" height="1000" border="0" alt="Warhol Covers" /></p>

<p>You can see more covers by Warhol <a href="https://www.discogs.com/lists/Covers-by-Andy-Warhol/167382">here</a>, <a href="https://www.complex.com/style/2013/01/10-album-covers-designed-by-andy-warhol/">here</a>, and <a href="https://www.sfgate.com/entertainment/article/Warhol-s-greatest-album-covers-3251876.php">here</a>. All of the covers he designed are collected in this book, <a href="https://www.amazon.com/exec/obidos/ASIN/3791354248/ref=nosim/0sil8">Andy Warhol: The Complete Commissioned Record Covers</a>.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Andy%20Warhol">Andy Warhol</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/art">art</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/design">design</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/music">music</a>]]>
    </content>
</entry>

<entry>
    <title>The beauty of constraints in engineering</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-beauty-of-constraints-in-engineering" />
    <id>tag:kottke.org,2018://5.32396</id>

    <published>2018-06-26T18:27:30Z</published>
    <updated>2018-06-26T18:27:30Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>The design of the automatic-drip coffee maker is super simple and clever. By using a one-way value to pump the water to the top of the maker to drip through the grounds, you can get away with using only one heating element at the bottom that both heats the water and keeps the brewed coffee hot.</p>

<blockquote><p>To engineer an object means to make choices; I&#8217;ll show you with this coffeemaker. The key choice: to use a single heating element to keep the cost low &#8212; 9 bucks in the case of this coffeemaker. Now the heater must be below the carafe to keep the coffee warm yet it also needs to heat the water for brewing. And since the grounds are at the top, that presents a problem. How do you get the water from down here to up here?</p></blockquote>

<p>Bill Hammack shows how this works in just over 2 minutes:</p>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/4j4Q_YBRJEI" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>Hammack&#8217;s videos are great. He also did <a href="https://kottke.org/15/04/the-ingenious-design-of-the-aluminum-beverage-can">this 11-minute video about how aluminum cans are designed & engineered</a> and it&#8217;s not boring even for a second. (via <a href="https://twitter.com/macgbrown/status/1006402840871333888">@macgbrown</a>)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Bill%20Hammack">Bill Hammack</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/design">design</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>Kurt Vonnegut on how to write a good story</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/kurt-vonnegut-on-how-to-write-a-good-story" />
    <id>tag:kottke.org,2018://5.32387</id>

    <published>2018-06-26T16:22:59Z</published>
    <updated>2018-06-26T16:22:59Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>In this 90-second video, Kurt Vonnegut provides eight guidelines for writing a good short story.</p>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/nmVcIhnvSx8" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<blockquote><p>1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.</p>

<p>2. Give the reader at least one character he or she can root for.</p>

<p>3. Every character should want something, even if it is only a glass of water.</p>

<p>4. Every sentence must do one of two things &#8212; reveal character or advance the action.</p>

<p>5. Start as close to the end as possible.</p>

<p>6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of.</p>

<p>7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.</p>

<p>8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.</p></blockquote>

<p>This appears to be a reading of the introduction to <a href="https://www.amazon.com/exec/obidos/ASIN/0425174468/ref=nosim/0sil8">a collection of Vonnegut&#8217;s short fiction</a>; in it, the list is referred to by the author as &#8220;Creative Writing 101&#8221;.</p>

<p>See also <a href="https://kottke.org/11/09/kurt-vonnegut-explains-the-shapes-of-stories">Vonnegut explaining the shapes of stories</a>. (thx, jeannie)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/how%20to">how to</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Kurt%20Vonnegut">Kurt Vonnegut</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/lists">lists</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/writing">writing</a>]]>
    </content>
</entry>

<entry>
    <title>The dinosaur-killing asteroid that struck Earth was unbelievably huge and fast</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-dinosaur-killing-asteroid-that-struck-earth-was-unbelievably-huge-and-fast" />
    <id>tag:kottke.org,2018://5.32384</id>

    <published>2018-06-26T14:14:16Z</published>
    <updated>2018-06-26T14:14:16Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>Humans are so small compared to the size of the Earth, it&#8217;s sometimes difficult to comprehend the scale of things like, say, <a href="https://en.wikipedia.org/wiki/Chicxulub_impactor">the massive meteorite</a> that struck the Yucatan peninsula about 66 million years ago, an event that triggered the mass extinction of plants and animals, including the dinosaurs. In his recent book, <a href="https://www.amazon.com/exec/obidos/ASIN/0062364804/ref=nosim/0sil8">The Ends of the World</a>, Peter Brannen takes a crack at explaining just how big the meteorite was and how quickly the event occurred.</p>

<blockquote><p>&#8220;The meteorite itself was so massive that it didn&#8217;t notice any atmosphere whatsoever,&#8221; said Rebolledo. &#8220;It was traveling 20 to 40 kilometers per second, 10 kilometers &#8212; probably 14 kilometers &#8212; wide, pushing the atmosphere and building such incredible pressure that the ocean in front of it just went away.&#8221;</p>

<p>These numbers are precise without usefully conveying the scale of the calamity. What they mean is that a rock larger than Mount Everest hit planet Earth traveling twenty times faster than a bullet. This is so fast that it would have traversed the distance from the cruising altitude of a 747 to the ground in 0.3 seconds. The asteroid itself was so large that, even at the moment of impact, the top of it might have still towered more than a mile above the cruising altitude of a 747. In its nearly instantaneous descent, it compressed the air below it so violently that it briefly became several times hotter than the surface of the sun.</p>

<p>&#8220;The pressure of the atmosphere in front of the asteroid started excavating the crater before it even got there,&#8221; Rebolledo said. &#8220;Them when the meteorite touched ground zero, it was totally intact. It was so massive that the atmosphere didn&#8217;t even make a scratch on it.&#8221;</p>

<p>Unlike the typical Hollywood CGI depictions of asteroid impacts, where an extraterrestrial charcoal briquette gently smolders across the sky, in the Yucatan it would have been a pleasant day one second and the world was already over by the next. As the asteroid collided with the earth, in the sky above it where there should have been air, the rock had punched a hole of outer space vacuum in the atmosphere. As the heavens rushed in to close this hole, enormous volumes of earth were expelled into orbit and beyond &#8212; all within a second or two of impact.</p>

<p>&#8220;So there&#8217;s probably little bits of dinosaur bone up on the moon,&#8221; I asked.</p>

<p>&#8220;Yeah, probably.&#8221;</p></blockquote>

<p>I don&#8217;t know if your eyes are as wide as mine are about now but&#8230;</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/books">books</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Earth">Earth</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Peter%20Brannen">Peter Brannen</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/The%20Ends%20of%20the%20World">The Ends of the World</a>]]>
    </content>
</entry>

<entry>
    <title>Reminder: support kottke.org with a membership today!</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/reminder-support-kottkeorg-with-a-membership-today" />
    <id>tag:kottke.org,2018://5.32395</id>

    <published>2018-06-26T01:03:08Z</published>
    <updated>2018-06-26T01:03:08Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>I&#8217;ve been a bit lax about getting the word out about this lately &#8212; been busy in the content mines and with <a href="https://kottke.org/newsletter/">the Noticing newsletter</a> and I am bad at self-promotion &#8212; but this is your periodic reminder that kottke.org is financially supported primarily by memberships from readers. If you&#8217;d like to support one of the best independent sites on the web, <a href="https://kottke.org/members/">you can check out your options here</a>. It takes less than a minute to sign up and your collective support will keep the site chugging along for the foreseeable future.</p>

<p>If you&#8217;re already a member, thank you again! Your support has enabled me to publish the site without compromise & encouraged me to experiment with a few new things, which you&#8217;ve gotten glimpses of over the last 18 months via the members-only newsletter.</p>

<p>Speaking of the members-only newsletter, I&#8217;ve sent out 2 issues over the past 10 days or so. If you&#8217;re a member and haven&#8217;t gotten them, your membership may have lapsed because of an expired credit card&#8230;<a href="https://kottke.org/members/">you can sign in on the membership page</a> to check your status and renew.</p>

<p>Ok, self-promotion over&#8230;that wasn&#8217;t so bad. Here&#8217;s a fun handclapping clip from Sesame Street to celebrate getting through that together:</p>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/9DGGF5quqgI" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>(Sesame Street is supported by &#8220;viewers like you&#8221;&#8230;just like kottke.org. <a href="https://kottke.org/members/">Become a member!</a>)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/kottke.org">kottke.org</a>]]>
    </content>
</entry>

<entry>
    <title>Everything you can imagine is real</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/everything-you-can-imagine-is-real" />
    <id>tag:kottke.org,2018://5.32392</id>

    <published>2018-06-25T20:20:55Z</published>
    <updated>2018-06-25T20:20:55Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><img src="/plus/misc/images/justin-peters-01.jpg" width="1000" height="1250" border="0" alt="Justin Peters" /></p>

<p><img src="/plus/misc/images/justin-peters-02.jpg" width="1000" height="1250" border="0" alt="Justin Peters" /></p>

<p><img src="/plus/misc/images/justin-peters-03.jpg" width="1000" height="1250" border="0" alt="Justin Peters" /></p>

<p><img src="/plus/misc/images/justin-peters-04.jpg" width="1000" height="1250" border="0" alt="Justin Peters" /></p>

<p>Justin Peters takes stock photos and <a href="https://jstnptrs.myportfolio.com/">combines them into fantastical and mind-bending scenes</a>. I&#8217;ve seen lots of this sort of thing, but these are particularly well done. The one with the umbrella and the road is a straight-up optical illusion and broke my brain for awhile. (via <a href="http://www.thisiscolossal.com/2018/06/lovely-photo-manipulations-utilizing-stock-photography-by-justin-peters/">colossal</a>, which has been a real source of joy & possibility these days)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/art">art</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Justin%20Peters">Justin Peters</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/remix">remix</a>]]>
    </content>
</entry>

<entry>
    <title>Witness the exact moment a river forms a new channel to the ocean</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/witness-the-exact-moment-a-river-forms-a-new-channel-to-the-ocean" />
    <id>tag:kottke.org,2018://5.32394</id>

    <published>2018-06-25T18:18:51Z</published>
    <updated>2018-06-25T18:18:51Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe width="560" height="315" src="https://www.youtube.com/embed/psi62O-NHRQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>A couple of years ago, Wayne Easton witnessed the Mahlongwa River cutting a new channel into the Indian Ocean. As the video above begins, you can see water from the river just starting to trickle down the sand into the sea. Sand being sandy, the process happens pretty quickly. As you can see in this second video, the trickle becomes a rushing torrent in a matter of just minutes.</p>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/WdrNAQeGLNM" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>This is <a href="https://goo.gl/maps/pmbdBMoU5qq">the spot in question on Google Maps</a>, but looking at <a href="https://zoom.earth/#-30.267672,30.762968,17z,sat">an alternate satellite view</a>, the river doesn&#8217;t appear to have a permanent channel to the ocean. Is that normal? (via <a href="https://boingboing.net/2018/06/22/guy-captures-the-moment-a-rive.html">bb</a>)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/geography">geography</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>James Hansen&#8217;s 1988 climate predictions have proved to be remarkably accurate</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/james-hansens-1988-climate-predictions-have-proved-to-be-remarkably-accurate" />
    <id>tag:kottke.org,2018://5.32390</id>

    <published>2018-06-25T16:17:52Z</published>
    <updated>2018-06-25T16:17:52Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>In 1988, <a href="https://en.wikipedia.org/wiki/James_Hansen">Dr. James Hansen</a> testified in front of Congress about the future dangers of climate change caused by human activity. That same year, the results of a study released by Hansen and his team at the Goddard Institute for Space Studies detailed three possible scenarios for possible future warming. Their middle-of-the-road prediction <a href="https://www.theguardian.com/environment/climate-consensus-97-per-cent/2018/jun/25/30-years-later-deniers-are-still-lying-about-hansens-amazing-global-warming-prediction">has proved to be remarkably accurate over the past 30 years</a>.</p>

<p><img src="/plus/misc/images/hansen-warming-trend.jpg" width="1000" height="680" border="0" alt="Hansen Warming Trend" /></p>

<blockquote><p>Changes in the human effects that influence Earth&#8217;s global energy imbalance (a.k.a. &#8216;anthropogenic radiative forcings&#8217;) have in reality been closest to Hansen&#8217;s Scenario B, but about 20-30% weaker thanks to the success of the Montreal Protocol in phasing out chlorofluorocarbons (CFCs). Hansen&#8217;s climate model projected that under Scenario B, global surface air temperatures would warm about 0.84&deg;C between 1988 and 2017. But with a global energy imbalance 20-30% lower, it would have predicted a global surface warming closer to 0.6-0.7&deg;C by this year.</p>

<p>The actual 1988-2017 temperature increase was about 0.6&deg;C. Hansen&#8217;s 1988 global climate model was almost spot-on.</p></blockquote>

<p>Scientists have known this was happening for decades and have been telling our government officials about it for more than 30 years. Our present inaction on a national level on this is shameful and <a href="https://kottke.org/18/06/are-we-completely-fucked-because-of-climate-change">&#8220;the global poor, the disenfranchised, the young, and the yet-to-be-born&#8221;</a> will soon pay the price.</p>

<p>See also <a href="https://kottke.org/17/05/a-brief-history-of-americas-shameful-inaction-on-climate-change">a brief history of America&#8217;s shameful inaction on climate change</a>.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/global%20warming">global warming</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/James%20Hansen">James Hansen</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/science">science</a>]]>
    </content>
</entry>

<entry>
    <title>The Ten Stages of Genocide</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-ten-stages-of-genocide" />
    <id>tag:kottke.org,2018://5.32383</id>

    <published>2018-06-25T14:02:39Z</published>
    <updated>2018-06-25T14:02:39Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>From <a href="https://activity.scar.gmu.edu/people/gregory-stanton">Dr. Gregory Stanton</a>, president of Genocide Watch and Research Professor in Genocide Studies and Prevention at George Mason University, <a href="http://genocidewatch.net/genocide-2/8-stages-of-genocide/">a list of the ten stages of genocide</a> that all societies move through when the group in power decides to murder a large group of people, typically on the basis of ethnicity. For each stage, Stanton has helpfully listed preventative measures.</p>

<blockquote><p>4. Dehumanization: One group denies the humanity of the other group. Members of it are equated with animals, vermin, insects or diseases. Dehumanization overcomes the normal human revulsion against murder. At this stage, hate propaganda in print and on hate radios is used to vilify the victim group. The majority group is taught to regard the other group as less than human, and even alien to their society. They are indoctrinated to believe that &#8220;We are better off without them.&#8221; The powerless group can become so depersonalized that they are actually given numbers rather than names, as Jews were in the death camps. They are equated with filth, impurity, and immorality. Hate speech fills the propaganda of official radio, newspapers, and speeches.</p>

<p>To combat dehumanization, incitement to genocide should not be confused with protected speech. Genocidal societies lack constitutional protection for countervailing speech, and should be treated differently than democracies. Local and international leaders should condemn the use of hate speech and make it culturally unacceptable. Leaders who incite genocide should be banned from international travel and have their foreign finances frozen. Hate radio stations should be jammed or shut down, and hate propaganda banned. Hate crimes and atrocities should be promptly punished.</p></blockquote>

<p>(via <a href="https://twitter.com/libyaliberty/status/1009855156802998272">@libyaliberty</a>)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Gregory%20Stanton">Gregory Stanton</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/lists">lists</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/politics">politics</a>]]>
    </content>
</entry>

<entry>
    <title>The history of straws</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-history-of-straws" />
    <id>tag:kottke.org,2018://5.32377</id>

    <published>2018-06-22T18:10:00Z</published>
    <updated>2018-06-22T18:10:00Z</updated>

    <author>
        <name>Tim Carmody</name>
        <uri>http://snarkmarket.com/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>Alexis Madrigal is great at the <a href="https://kottke.org/tag/systemic%20sublime">systemic sublime</a> &#8212; taking an everyday object or experience and showing how it implicates interconnected networks across space, time, and levels of analysis. His history of the drinking straw &#8212; or rather, &#8220;<a href="https://www.theatlantic.com/technology/archive/2018/06/disposable-america/563204/">a history of modern capitalism from the perspective of the drinking straw</a>&#8221; &#8212; is no exception. It doesn&#8217;t give quite enough space to disability, either in its history or its examination of the straw&#8217;s future &#8212; the stakes of that debate are better-covered in this <a href="https://psmag.com/social-justice/saving-the-oceans-with-my-son-and-adrian-grenier">David Perry essay from a year ago</a> &#8212; but there are still plenty of goodies.</p>

<blockquote>Temperance and public health grew up together in the disease-ridden cities of America, where despite the modern conveniences and excitements, mortality rates were higher than in the countryside. Straws became a key part of maintaining good hygiene and public health. They became, specifically, part of the answer to the scourge of unclean drinking glasses. Cities begin requiring the use of straws in the late 1890s. A Wisconsin paper noted in 1896 that already in many cities &#8220;ordinances have been issued making the use of wrapped drinking straws essential in public eating places.&#8221;</blockquote>

<p>Add in urbanization, the suddenly cheap cost of wood-pulp paper goods, and voila: you get soda fountains and disposable straws, soon followed by disposable paper cups, and eventually, their plastic successors, manufactured by a handful of giant companies to the specifications of a handful of other giant companies, in increasingly automated processes for the benefit of shareholders. It&#8217;s a heck of a yarn.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Alexis%20Madrigal">Alexis Madrigal</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/disability">disability</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/environment">environment</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/straws">straws</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/systemic%20sublime">systemic sublime</a>]]>
    </content>
</entry>

<entry>
    <title>The poster child problem</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-poster-child-problem" />
    <id>tag:kottke.org,2018://5.32375</id>

    <published>2018-06-22T17:10:00Z</published>
    <updated>2018-06-22T17:10:00Z</updated>

    <author>
        <name>Tim Carmody</name>
        <uri>http://snarkmarket.com/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><img src="https://kottke.org/plus/misc/images/child-separation.jpg" border="0" alt="child separation" /></p>

<p>This week&#8217;s crisis of children separated from their parents, and both parents and children sent to jails or camps (in most cases) for the misdemeanor of improperly crossing the border, has inspired some excellent critical writing on the power of overpowering imagery, especially the John Moore photograph above. </p>

<p>From Josephine Livingstone, &#8220;<a href="https://newrepublic.com/article/149234/americas-poster-child-syndrome">America&#8217;s &#8216;Poster Child&#8217; Syndrome</a>&#8221;:</p>

<blockquote><p>These poster children present a paradox: They are real, so is their suffering&#8212;but they have also been <em>chosen</em> to represent a suffering that is shared by many others&#8230; There are several political repercussions of allowing a single child to represent a crisis. The first is that the child herself, literally voiceless in the case of Moore&#8217;s photograph, ceases to be an individual. She instead becomes a blank canvas upon which adults project their anxieties and fears. The second is that it obscures the suffering of others&#8212;particularly adults. Moore&#8217;s photograph captures this young migrant&#8217;s isolation so well that it hurts; but, by definition, it leaves out the faces of the rest of her family. It reduces a crisis about human beings of all ages and stages of life to a single image of total vulnerability.</p>

<p>Behind the American response to these images of children lurks an uncomfortable truth: The white majority in this country perceives children of color differently than they perceive adults, in what we might call the visual rhetoric of victimhood. This crisis is happening to babies, toddlers, teenagers, parents, and elderly adults; but the only images that can make America care about its inhumane policy toward immigrants at its borders, the only images that can cause a Republican like Laura Bush to speak on behalf of these foreigners, are photographs of children. </p></blockquote>

<p>Megan Garber, &#8220;<a href="https://www.theatlantic.com/entertainment/archive/2018/06/how-to-look-away/563234/">How To Look Away</a>&#8221;:</p>

<blockquote><p>In a democracy, if the people are to have a meaningful say over the world and its workings, those people are, fundamentally, obligated to look. And, much more fundamentally, to see. To avert one&#8217;s eyes is a privilege that those of us who have the power to act cannot afford to exercise, even when we are complicit in the images. Especially when we are complicit.</p>

<p>It is a dynamic&#8212;the democratic alchemy that converts seeing things into changing them&#8212;that the president and his surrogates have been objecting to, as they have defended their policy. They have been, this week (with notable absences), busily appearing on cable-news shows and giving disembodied quotes to news outlets, insisting that things aren&#8217;t as bad as they seem: that the images and the audio and the evidence are wrong not merely ontologically, but also emotionally. <em>Don&#8217;t be duped</em>, they are telling Americans. <em>Your horror is incorrect. The tragedy is false. Your outrage about it, therefore, is false. </em>Because, actually, the truth is so much more complicated than your easy emotions will allow you to believe. Actually, as Fox News host Laura Ingraham insists, the holding pens that seem to house horrors are &#8220;essentially summer camps.&#8221; And actually, as Fox & Friends&#8217; Steve Doocy instructs, the pens are not cages so much as &#8220;walls&#8221; that have merely been &#8220;built &#8230; out of chain-link fences.&#8221; And actually, Kirstjen Nielsen wants you to remember, &#8220;We provide food, medical, education, all needs that the child requests.&#8221; And actually, too, Tom Cotton warns, think of the child-smuggling. And of MS-13. And of sexual assault. And of soccer fields. There are so many reasons to look away, so many other situations more deserving of your outrage and your horror.</p></blockquote>

<p>And Kainaz Amaria, &#8220;<a href="https://www.vox.com/2018/6/21/17488680/time-magazine-cover-family-separation-border-trump-john-moore">Time magazine&#8217;s cover isn&#8217;t bold or brave. It&#8217;s exploitative</a>.&#8221;</p>

<blockquote><p>[When] I saw <a href="http://time.com/5317522/donald-trump-border-cover/">Time&#8217;s cover</a> this morning &#8212; and what I can only describe as the misuse of Moore&#8217;s original image &#8212; my immediate reaction was rage. As a photojournalist, a visuals editor, and an immigrant, I didn&#8217;t see it as a powerful statement on President Trump&#8217;s attitude toward the family separation crisis or the policies that have ripped more than 2,000 vulnerable children from their parents.</p>

<p>I see it as an insensitive and exploitative play to sell magazines &#8212; and one that, albeit unintentionally, offers up this personal tragedy to be memed and ridiculed&#8230; </p>

<p>Vox&#8217;s Brian Resnick has written about the <a href="https://www.vox.com/explainers/2017/7/19/15925506/psychic-numbing-paul-slovic-apathy">limits of human compassion</a> and the impact an image can have. In it, he talks to Paul Slovic, a psychologist at the University of Oregon, who says: &#8220;Individual stories and individual photographs can be effective for a while. They capture our attention &#8212; they get us to see the reality, to glimpse the reality at a scale we can understand and connect to emotionally. But then there has to be somewhere to go with it.&#8221;</p></blockquote>

<p>I haven&#8217;t yet read anything comparable diving into the effect of the <a href="https://www.propublica.org/article/children-separated-from-parents-border-patrol-cbp-trump-immigration-policy">ProPublica audio</a> of imprisoned children separated from their parents by immigration officials, apart from this <a href="https://www.vox.com/2018/6/20/17482476/children-separated-at-border-audio">behind-the-scenes video on the how the audio was obtained</a>. But I&#8217;d certainly be interested in doing so. </p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/photography">photography</a>]]>
    </content>
</entry>

<entry>
    <title>Cooking Babylonian stews, the oldest recipes ever found</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/cooking-babylonian-stews-the-oldest-recipes-ever-found" />
    <id>tag:kottke.org,2018://5.32374</id>

    <published>2018-06-22T14:45:00Z</published>
    <updated>2018-06-22T14:45:00Z</updated>

    <author>
        <name>Tim Carmody</name>
        <uri>http://snarkmarket.com/</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe width="560" height="315" src="https://www.youtube.com/embed/qfqhJNUtiww" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>The Yale Babylonian Collection has four cuneiform tablets that contain the world&#8217;s oldest known food recipes &#8212; nearly four thousand years old. Scholars think the recipes weren&#8217;t everyday cuisine, but dishes prepared for royal houses, because they&#8217;re 1) fairly complex and 2) written down. A Yale-Harvard team decided to cook three of the recipes (two lamb stews, one vegetarian) for an event at NYU called &#8220;<a href="https://news.yale.edu/2018/06/14/what-did-ancient-babylonians-eat-yale-harvard-team-tested-their-recipes">An Appetite for the Pas</a>t.&#8221;</p>

<blockquote><p>The undertaking was not without its challenges, says [Yale curator Agnete] Lassen. &#8220;Not only were some of the ingredients that were used during this time period not available, but two of the tablets are poorly preserved &#8212; there are big holes in them. Some of these terms that appear in the Akkadian original are difficult to translate because these are words that don&#8217;t appear very often in the other texts that we have and that makes it very difficult to decipher them.&#8221;</p>

<p>&#8220;Having an understanding of what the food is supposed to feel and taste like is very important,&#8221; says Lassen. &#8220;We didn&#8217;t know what we were looking for. When we were recreating one of the recipes I kept thinking they were doing this wrong, &#8216;this is not how I would make this.&#8217; And then when it had boiled for a while it suddenly transformed itself into something delicious.&#8221;</p></blockquote>

<p>I wonder which of our recipes will still survive in four thousand years, and what historians of the future will make of the people who ate this food.</p>

<p><strong>Update:</strong> University of Chicago Press has <a href="http://press.uchicago.edu/ucp/books/book/chicago/O/bo3619231.html">a book of ancient Mesopotamian recipes</a>. &#8220;Offering everything from translated recipes for pigeon and gazelle stews, the contents of medicinal teas and broths, and the origins of ingredients native to the region, this book reveals the cuisine of one of history&#8217;s most fascinating societies.&#8221; I&#8217;ve never eaten pigeon, but people I know who have say it&#8217;s delicious. (I don&#8217;t know anyone who&#8217;s eaten gazelle.) <a href="http://twitter.com/AmyDrummond/status/1010174303734845440">Via Amy Drummond</a>.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/food">food</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/history">history</a>]]>
    </content>
</entry>

<entry>
    <title>Huge online collection of Frida Kahlo art and artifacts</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/huge-online-collection-of-frida-kahlo-art-and-artifacts" />
    <id>tag:kottke.org,2018://5.32371</id>

    <published>2018-06-22T13:45:00Z</published>
    <updated>2018-06-22T13:45:00Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>In partnership with over 30 museums and institutions from around the world, <a href="https://artsandculture.google.com/project/frida-kahlo">Google Arts & Culture has launched Faces of Frida</a>, a massive collection of art, letters, essays, videos, and other artifacts about the life and work of Frida Kahlo. There&#8217;s a *lot* here, including dozens of zoomable high-resolution scans of her artwork and essays by art historians and experts.</p>

<p><img src="/plus/misc/images/frida-kahlo-01.jpg" width="1000" height="1284" border="0" alt="Frida Kahlo" /></p>

<p><img src="/plus/misc/images/frida-kahlo-02.jpg" width="1000" height="871" border="0" alt="Frida Kahlo" /></p>

<p><img src="/plus/misc/images/frida-kahlo-03.jpg" width="1000" height="1360" border="0" alt="Frida Kahlo" /></p>

<p><img src="/plus/misc/images/frida-kahlo-04.jpg" width="1000" height="1267" border="0" alt="Frida Kahlo" /></p>

<p>This is the kind of &#8220;organizing the world&#8217;s information&#8221; I want to see more of from Google. (via <a href="http://www.openculture.com/2018/06/visit-the-largest-collection-of-frida-kahlos-work-ever-assembled.html">open culture</a>)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/art">art</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Frida%20Kahlo">Frida Kahlo</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Google">Google</a>]]>
    </content>
</entry>

<entry>
    <title>The 14 Habits of Highly Miserable People</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-14-habits-of-highly-miserable-people" />
    <id>tag:kottke.org,2018://5.32369</id>

    <published>2018-06-21T23:07:43Z</published>
    <updated>2018-06-21T23:07:43Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>In <a href="https://www.alternet.org/here-are-14-habits-highly-miserable-people">Here Are the 14 Habits of Highly Miserable People</a>, Cloe Madanes gives us some advice at how to succeed at self-sabotage (or, really, how to avoid it).</p>

<blockquote><p>5. Attribute bad intentions. Whenever you can, attribute the worst possible intentions to your partner, friends, and coworkers. Take any innocent remark and turn it into an insult or attempt to humiliate you. For example, if someone asks, &#8220;How did you like such and such movie?&#8221; you should immediately think, He&#8217;s trying to humiliate me by proving that I didn&#8217;t understand the movie, or He&#8217;s preparing to tell me that I have poor taste in movies. The idea is to always expect the worst from people. If someone is late to meet you for dinner, while you wait for them, remind yourself of all the other times the person was late, and tell yourself that he or she is doing this deliberately to slight you. Make sure that by the time the person arrives, you&#8217;re either seething or so despondent that the evening is ruined. If the person asks what&#8217;s wrong, don&#8217;t say a word: let him or her suffer.</p></blockquote>

<p>See also <a href="https://kottke.org/17/05/seven-helpful-tips-on-how-to-be-miserable">seven helpful tips on how to be miserable</a>.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Cloe%20Madanes">Cloe Madanes</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/lists">lists</a>]]>
    </content>
</entry>

<entry>
    <title>The Blind Skateboarder</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-blind-skateboarder" />
    <id>tag:kottke.org,2018://5.32368</id>

    <published>2018-06-21T21:31:42Z</published>
    <updated>2018-06-21T21:31:42Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe width="560" height="315" src="https://www.youtube.com/embed/jPPdFB2V7nA" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>Dan Mancina has lost 95% of his eyesight but that hasn&#8217;t kept him from skating. Red Bull has <a href="https://www.redbull.com/us-en/out-of-frame-dan-mancina-documentary">an interview with Mancina</a>, who stopped skating for a couple of years after he went blind, thinking that it wasn&#8217;t something a blind person would or could do.</p>

<blockquote><p>There wasn&#8217;t a defining moment that changed my mind as to what a blind person was, but the day I started to build that bench sort of started it, and sparked this passion and stoked this urge to skate again.</p>

<p>Seeing how people responded to that, that&#8217;s the shit I was searching for. To see me not as a blind person, but as a normal person, a skater.</p>

<p>Ever since I was seven, that&#8217;s who I was. I am a skateboarder, I just lost it for a while. I bought into people&#8217;s ideas of me and what a blind person is, and really I should&#8217;ve been searching for who I was and what I wanted to do.</p></blockquote>

<p>People who are really good at something talk about doing it &#8220;by feel&#8221; or being able to do it &#8220;in their sleep&#8221;. Mancina&#8217;s skating ability is a good reminder that after you pass a certain threshold of expertise, so much of athleticism is just your body&#8217;s ability to unconsciously perform.</p>

<p>You can watch more of Mancina&#8217;s skating <a href="https://www.instagram.com/danthemancina/">on his Instagram account</a>.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/blind">blind</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Dan%20Mancina">Dan Mancina</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/skateboarding">skateboarding</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/sports">sports</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>A sad update about a scissors maker that went viral</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/a-sad-update-about-a-scissors-maker-that-went-viral" />
    <id>tag:kottke.org,2018://5.32367</id>

    <published>2018-06-21T20:06:26Z</published>
    <updated>2018-06-21T20:06:26Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>Back in 2014, <a href="https://kottke.org/14/07/the-putter-togetherer">a lovely short film by Shaun Bloodworth called The Putter</a> went viral. The film shows Cliff Denton making scissors for Ernest Wright & Sons. Denton works for the company as a putter, short for putter togetherer.</p>

<p><iframe src="https://player.vimeo.com/video/98953952" width="640" height="360" frameborder="0" allowfullscreen></iframe></p>

<p>Before the film, business at the firm was so slow that staff were only working two days a week. When the video took off online, the company received two years&#8217; worth of orders in a single day. Two years later in June 2016, the company launched <a href="https://www.kickstarter.com/projects/scissors/ernest-wright-and-son-ltd-scissors-hand-made-in-sh">a Kickstarter campaign for a throwback pair of kitchen scissors</a> and ended up making four times their goal from more than 3600 backers.</p>

<p>Outwardly, this seemed to be one of those stories about how an old school company found a new audience and a second chance on the internet. But internally <a href="https://theworldnews.net/gb-news/made-in-sheffield-scissor-firm-battles-back-after-boss-dies">the company was struggling</a>, hamstrung by a series of setbacks. Problems with design and machining the new scissors model delayed production for a year and two key employees, including putter Cliff Denton, were off the job due to illness. Shaun Bloodworth, the filmmaker, died waiting for a liver transplant. And then in February 2018, the news broke that Nick Wright, the company&#8217;s managing director, <a href="https://www.thestar.co.uk/business/tributes-as-historic-sheffield-scissor-company-boss-dies-1-9007171">had died suddenly</a>.</p>

<p>Under new leadership, the company vowed to carry on and fulfill all of the Kickstarter orders, but a message to Kickstarter backers yesterday revealed the company was deep in debt and would be &#8220;going into receivership&#8221;. It also revealed that Wright had taken his own life. Here&#8217;s the full message from Pam Addy, the current managing director of Ernest Wright & Sons. (Note: this includes a portion of a final letter written by Wright before he died.)</p>

<blockquote><p>Hello everyone, this is Pam.</p>

<p>Following the death of Nick Wright, who took his own life in February, myself and the rest of the Ernest Wright team have endeavored to honour all you Kickstarter backers who pledged money for the Kutrite design of kitchen scissors. Unfortunately, only now am I  aware of the extent of the business debt incurred prior to my taking over as Director on March 22 2018, so it is with great sadness I announce that Ernest Wright & Son Ltd will be going into receivership.</p>

<p>If you have not received your goods, you will be contacted by the Insolvency Practitioner in due course. Following advice from them, if you paid by Credit Card you may wish to contact your card provider, to see whether they will refund you the money paid.</p>

<p>Nick wrote a final letter. In this letter were personal messages including one to Kickstarter people:</p>

<p>&#8220;I tried so hard, this was no scam, I just could not make it happen. Too much pressure, not enough resource or time. I am so very genuinely sorry to you all.&#8221;</p></blockquote>

<p>What a sad situation for Wright&#8217;s family and the company. It&#8217;s tempting to want to draw conclusions between the finances, the campaign, and Wright&#8217;s death, but we don&#8217;t actually know much about the situation. But I do think this highlights the potential disconnects between mental health & business, publicity & success, and success & happiness. The internet can seem so intimate but ultimately it&#8217;s a thin view of an individual&#8217;s or company&#8217;s reality. (thx, dawn)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/business">business</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Cliff%20Denton">Cliff Denton</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Kickstarter">Kickstarter</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Shaun%20Bloodworth">Shaun Bloodworth</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>There&#8217;s no scientific or genetic basis for race</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/theres-no-scientific-or-genetic-basis-for-race" />
    <id>tag:kottke.org,2018://5.32365</id>

    <published>2018-06-21T16:43:49Z</published>
    <updated>2018-06-21T16:43:49Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>Elizabeth Kolbert writing for National Geographic: <a href="https://www.nationalgeographic.com/magazine/2018/04/race-genetics-science-africa/">There&#8217;s No Scientific Basis for Race &#8212; It&#8217;s a Made-Up Label</a>.</p>

<blockquote><p>&#8220;What the genetics shows is that mixture and displacement have happened again and again and that our pictures of past &#8216;racial structures&#8217; are almost always wrong,&#8221; says David Reich, a Harvard University paleogeneticist whose new book on the subject is called <a href="https://www.amazon.com/exec/obidos/ASIN/110187032X/ref=nosim/0sil8">Who We Are and How We Got Here</a>. There are no fixed traits associated with specific geographic locations, Reich says, because as often as isolation has created differences among populations, migration and mixing have blurred or erased them.</p></blockquote>

<p>She also observes that there&#8217;s more diversity in Africa than all the other continents combined (which is what happens when the rest of the world&#8217;s population is based on a relatively small population that left Africa 60,000 years ago).</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Elizabeth%20Kolbert">Elizabeth Kolbert</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/genetics">genetics</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/racism">racism</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/science">science</a>]]>
    </content>
</entry>

<entry>
    <title>What the uncharted territories of outer space might look like&#8230;</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/what-the-uncharted-territories-of-outer-space-might-look-like" />
    <id>tag:kottke.org,2018://5.32333</id>

    <published>2018-06-20T21:11:21Z</published>
    <updated>2018-06-20T21:11:21Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe src="https://player.vimeo.com/video/270898952?color=ff8d29&title=0&byline=0&portrait=0" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></p>

<p>Harkening back to when visual effects teams used colorful liquids & chemicals to simulate space travel for films <a href="https://2001archive.org/resources/the-special-effects-of-2001-a-space-odyssey/">like 2001</a>, Helios uses those same techniques to visualize &#8220;what the uncharted territories of outer space might look like&#8221;.</p>

<blockquote><p>Helios considers what the uncharted territories of outer space might look like. It was created as a passion project in my basement studio using various liquids and chemicals. It is staged as an audiovisual stimulus inspired by the aesthetics of vintage NASA space travel.</p>

<p>Having spent my entire childhood in an area lacking both basic infrastructure and light pollution, I developed an escapist obsession for watching the night sky and contemplating. I would constantly get on people&#8217;s nerves asking: &#8220;What do the limits of the universe look like? And what&#8217;s behind that?&#8221;</p></blockquote>

<p><a href="https://www.behance.net/gallery/65811621/H-E-L-I-O-S">Here&#8217;s a look at the process behind the video</a>, along with some high-resolution screencaps.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/space">space</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>Forty-Five Things I Learned in the Gulag</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/forty-five-things-i-learned-in-the-gulag" />
    <id>tag:kottke.org,2018://5.32357</id>

    <published>2018-06-20T19:13:49Z</published>
    <updated>2018-06-20T19:13:49Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>Russian writer <a href="https://en.wikipedia.org/wiki/Varlam_Shalamov">Varlam Shalamov</a> spent 15 years, from 1937 to 1951, in a Soviet gulag (forced labor camp) for engaging in &#8220;counter-revolutionary Trotskyist activities&#8221;. He wrote a book of short fiction about his experience called <a href="https://www.amazon.com/exec/obidos/ASIN/1681372142/ref=nosim/0sil8">Kolyma Stories</a>. He also wrote down <a href="https://www.theparisreview.org/blog/2018/06/12/forty-five-things-i-learned-in-the-gulag/">45 things he learned while in the gulag</a>.</p>

<blockquote><p>1. The extreme fragility of human culture, civilization. A man becomes a beast in three weeks, given heavy labor, cold, hunger, and beatings.</p>

<p>15. I realized that one can live on anger.</p>

<p>17. I understood why people do not live on hope &#8212; there isn&#8217;t any hope. Nor can they survive by means of free will &#8212; what free will is there? They live by instinct, a feeling of self-preservation, on the same basis as a tree, a stone, an animal.</p>

<p>26. I realized that you can achieve a great deal-time in the hospital, a transfer-but only by risking your life, taking beatings, enduring solitary confinement in ice.</p>

<p>30. I discovered that the world should be divided not into good and bad people but into cowards and non-cowards. Ninety-five percent of cowards are capable of the vilest things, lethal things, at the mildest threat.</p>

<p>44. I understood that moving from the condition of a prisoner to the condition of a free man is very difficult, almost impossible without a long period of amortization.</p></blockquote>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/lists">lists</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/prison">prison</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Soviet%20Union">Soviet Union</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Varlam%20Shalamov">Varlam Shalamov</a>]]>
    </content>
</entry>

<entry>
    <title>What made the Nazis possible? Why didn&#8217;t anyone stop them?</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/what-made-the-nazis-possible-why-didnt-anyone-stop-them" />
    <id>tag:kottke.org,2018://5.32354</id>

    <published>2018-06-20T16:03:34Z</published>
    <updated>2018-06-20T16:03:34Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>With an eye on the current political situations in the US, Turkey, Russia, and China, Cass Sunstein <a href="http://www.nybooks.com/articles/2018/06/28/hitlers-rise-it-can-happen-here/">reviews three books</a> that shed light on how the Nazis came to power in Germany in the 1930s: <a href="https://www.amazon.com/exec/obidos/ASIN/022652583X/ref=nosim/0sil8">They Thought They Were Free: The Germans, 1933-45</a> by Milton Mayer, <a href="https://www.amazon.com/exec/obidos/ASIN/069117458X/ref=nosim/0sil8">Broken Lives: How Ordinary Germans Experienced the Twentieth Century</a> by Konrad Jarausch, and <a href="https://www.amazon.com/exec/obidos/ASIN/0312421133/ref=nosim/0sil8">Defying Hitler</a> by Sebastian Haffner.</p>

<p>Mayer&#8217;s book was published in 1955 and consisted of post-war interviews with normal German people (janitor, baker, teacher) who had been Nazi party members. Their recollection of what had happened differed somewhat from the rest of the world&#8217;s.</p>

<blockquote><p>When Mayer returned home, he was afraid for his own country. He felt &#8220;that it was not German Man that I had met, but Man,&#8221; and that under the right conditions, he could well have turned out as his German friends did. He learned that Nazism took over Germany not &#8220;by subversion from within, but with a whoop and a holler.&#8221; Many Germans &#8220;wanted it; they got it; and they liked it.&#8221;</p>

<p>Mayer&#8217;s most stunning conclusion is that with one partial exception (the teacher), none of his subjects &#8220;saw Nazism as we &#8212; you and I &#8212; saw it in any respect.&#8221; Where most of us understand Nazism as a form of tyranny, Mayer&#8217;s subjects &#8220;did not know before 1933 that Nazism was evil. They did not know between 1933 and 1945 that it was evil. And they do not know it now.&#8221; Seven years after the war, they looked back on the period from 1933 to 1939 as the best time of their lives.</p></blockquote>

<p>They also denied the Holocaust had happened. They didn&#8217;t see it because their lives were just fine (up until the war started).</p>

<blockquote><p>Mayer suggests that even when tyrannical governments do horrific things, outsiders tend to exaggerate their effects on the actual experiences of most citizens, who focus on their own lives and &#8220;the sights which meet them in their daily rounds.&#8221; Nazism made things better for the people Mayer interviewed, not (as many think) because it restored some lost national pride but because it improved daily life. Germans had jobs and better housing. They were able to vacation in Norway or Spain through the &#8220;Strength Through Joy&#8221; program. Fewer people were hungry or cold, and the sick were more likely to receive treatment. The blessings of the New Order, as it was called, seemed to be enjoyed by &#8220;everybody.&#8221;</p></blockquote>

<p>This reminded me of how ISIS improved the lives of many in Iraq & Syria <a href="https://kottke.org/18/06/recommendation-caliphate-the-ny-times-podcast-about-isis">by fixing electrical problems, regularly collecting garbage, and focusing on law & order</a>. The quotes around &#8220;everybody&#8221; in the last line of that paragraph also reminded me of <a href="https://web.archive.org/web/20180416183119/https://blog.ted.com/enlightenment-or-entitlement-a-response-to-steven-pinker-from-a-panel-of-ted-fellows">the criticism</a><sup id="fnref:1529508163"><a href="#fn:1529508163" rel="footnote">1</a></sup> directed at people like Steven Pinker, Bill Gates, or Hans Rosling who insist the world is getting better. Better for whom? Everybody?</p>

<p>See also the Sunstein-edited <a href="https://www.amazon.com/exec/obidos/ASIN/006269619X/ref=nosim/0sil8">Can It Happen Here?: Authoritarianism in America</a>.</p>

<ol><li class="footnote" id="fn:1529508163"><p>It&#8217;s interesting that this post was deleted from the TED blog. I wonder why?<a href="#fnref:1529508163" title="return to article">&#x21A9;</a><p></li></ol>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/books">books</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Cass%20Sunstein">Cass Sunstein</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Germany">Germany</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Nazis">Nazis</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/politics">politics</a>]]>
    </content>
</entry>

<entry>
    <title>Dancing in movies</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/dancing-in-movies" />
    <id>tag:kottke.org,2018://5.32351</id>

    <published>2018-06-20T13:48:32Z</published>
    <updated>2018-06-20T13:48:32Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe src="https://player.vimeo.com/video/275826346" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></p>

<p>A supercut montage of dance scenes from over 300 movies (like School of Rock, The Wizard of Oz, Footloose, Dances With Wolves, West Side Story, and Straight Outta Compton). A full list of the movies represented <a href="https://dancinginmovies.tumblr.com/">is available here</a>.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/dance">dance</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/movies">movies</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>The insides of everyday items, animated</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-insides-of-everyday-items-animated" />
    <id>tag:kottke.org,2018://5.32331</id>

    <published>2018-06-19T20:23:18Z</published>
    <updated>2018-06-19T20:23:18Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>On Tinker Fridays, industrial designer <a href="https://www.dinaaamin.com/">dina Amin</a> takes apart an item and makes a playful stop motion animation out of its parts.</p>

<blockquote><p>I spent 2016 taking products that people decided to throw away apart and showing people (not the ones who threw away those products, but others on Instagram) what&#8217;s inside and transformed all the pieces to lil creatures by the magical power of stop motion.</p></blockquote>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/eSz51nVP3cw" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/RI4h6YH00ck" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/IE6j6xip1qI" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>You can find more of Amin&#8217;s work on <a href="https://www.dinaaamin.com/">her website</a>, <a href="https://www.youtube.com/channel/UCuUxQoim4qvT6gcoL03w1Ig">YouTube</a>, <a href="https://vimeo.com/dinaaamin">Vimeo</a>, and <a href="https://www.instagram.com/dina.a.amin/">Instagram</a>. (thx, samira)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/design">design</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Dina%20Amin">Dina Amin</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/remix">remix</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/stop%20motion">stop motion</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>These Oklahoma teachers are now permanently on strike</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/these-oklahoma-teachers-are-now-permanently-on-strike" />
    <id>tag:kottke.org,2018://5.32330</id>

    <published>2018-06-19T18:18:22Z</published>
    <updated>2018-06-19T18:18:22Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>Earlier this year, <a href="https://www.nytimes.com/2018/04/12/us/oklahoma-teachers-strike.html">30,000 teachers in Oklahoma walked out of their classrooms</a> to protest teacher pay and education budget cuts. The walkout ended after nine days with the teachers&#8217; goals partially met. Vice News talked to 18 Oklahoma teachers about why they&#8217;ve decided to quit teaching after this year, essentially making their walkouts permanent.</p>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/nva8UofZ3fY" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<blockquote><p>Eric Weingartner worked two side jobs in addition to his role as a full-time 4th grade teacher to make ends meet. Chemistry teacher Becky Smith&#8217;s monthly paycheck rose just $300 in sixteen years. Aimee Elmquist spent her own money to stock her biology classroom. Mary West did the same for high school art.</p></blockquote>

<p>One of the biggest realizations I&#8217;ve had in the past few years is that while Americans talk a lot about the importance of children and education, those things actually are not that important to us. You can see it in how we approach our educational system and you can see it in how we our government uses the abuse of children to attempt to curb immigration with relatively little outcry. You can see it in our governance&#8230;the people we elect do what&#8217;s best for voters, not for future voters. The enthusiasm of hobbyists and desire of gun companies keep our children attending school in fear. Healthcare costs are soaring and coverage for children isn&#8217;t guaranteed. Our parental leave policies, maternity care, and all-around treatment of mothers & women in the workplace lags behind other so-called &#8220;developed&#8221; countries. Children are a priority for the US? Yeah, no.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/education">education</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/working">working</a>]]>
    </content>
</entry>

<entry>
    <title>TANK, a 2-minute visual homage to 80s vector arcade games (and Tron)</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/tank-a-2-minute-visual-homage-to-80s-vector-arcade-games-and-tron" />
    <id>tag:kottke.org,2018://5.32332</id>

    <published>2018-06-19T16:09:19Z</published>
    <updated>2018-06-19T16:09:19Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe width="560" height="315" src="https://www.youtube.com/embed/YEdQ3mwyrQ4" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>TANK is a short animation by Stu Maschwitz that&#8217;s based on the look of vector arcade games from the 80s like Battlezone, Tempest, Asteroids, and Star Wars. And a sprinkling of Tron for good measure.</p>

<p>If you&#8217;re interested in how the video was made, <a href="https://www.youtube.com/watch?v=WRkYP7wnD40">Maschwitz did a 20-minute making of video</a> that&#8217;s actually really interesting. I don&#8217;t know why I said &#8220;actually&#8221; there&#8230;I love watching how creative people make things. Maybe because the length is daunting? Anyway, how he reverse engineers this style using a modern visual effects software package is worth watching&#8230;the attention to detail is *kisses fingers*.</p>

<blockquote><p>The way I made TANK is a little crazy. I made it entirely in Adobe After Effects, with equal parts animation elbow grease and nerdy expressions madness. This video is part behind-the-scenes, part After Effects tutorial, and part therapy session.</p></blockquote>

<p>Maschwitz also shared <a href="https://www.redgiant.com/blog/2018/05/23/tank-film/">some of assets & software he used</a>, including <a href="https://www.proloststore.com/products/vectorkit">an After Effects template</a> you can use to make your own vector animations.</p>

<p>See also <a href="https://kottke.org/17/03/recreating-the-asteroids-arcade-game-with-a-laser">recreating the Asteroids arcade game with a laser</a>. (thx, ben)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Stu%20Maschwitz">Stu Maschwitz</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video%20games">video games</a>]]>
    </content>
</entry>

<entry>
    <title>How people from different countries count money</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/how-people-from-different-countries-count-money" />
    <id>tag:kottke.org,2018://5.32336</id>

    <published>2018-06-19T13:51:26Z</published>
    <updated>2018-06-19T13:51:26Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe width="560" height="315" src="https://www.youtube.com/embed/lx3QlyeG_mI" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>In this video, 70 people from 70 different countries from all over the world show how they count money in their respective countries. Fascinating and more than a little mesmerizing after a while. I wonder why these different techniques developed the way that they did&#8230; (via <a href="http://digg.com/video/how-people-count-money-world">digg</a>)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>NYC is boring</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/nyc-is-boring" />
    <id>tag:kottke.org,2018://5.32342</id>

    <published>2018-06-18T22:11:08Z</published>
    <updated>2018-06-18T22:11:08Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>In <a href="https://harpers.org/archive/2018/07/the-death-of-new-york-city-gentrification/">The Death of a Once Great City</a> Kevin Baker argues that the current affluence of NYC has made the city &#8220;unremarkable&#8221; and &#8220;boring&#8221;.</p>

<blockquote><p>New York has been my home for more than forty years, from the year after the city&#8217;s supposed nadir in 1975, when it nearly went bankrupt. I have seen all the periods of boom and bust since, almost all of them related to the &#8220;paper economy&#8221; of finance and real estate speculation that took over the city long before it did the rest of the nation. But I have never seen what is going on now: the systematic, wholesale transformation of New York into a reserve of the obscenely wealthy and the barely here &#8212; a place increasingly devoid of the idiosyncrasy, the complexity, the opportunity, and the roiling excitement that make a city great.</p>

<p>As New York enters the third decade of the twenty-first century, it is in imminent danger of becoming something it has never been before: unremarkable. It is approaching a state where it is no longer a significant cultural entity but the world&#8217;s largest gated community, with a few cupcake shops here and there. For the first time in its history, New York is, well, boring.</p></blockquote>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/cities">cities</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Kevin%20Baker">Kevin Baker</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/NYC">NYC</a>]]>
    </content>
</entry>

<entry>
    <title>A colorfully illustrated Cold War-era desk calendar</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/a-colorfully-illustrated-cold-war-era-desk-calendar" />
    <id>tag:kottke.org,2018://5.32339</id>

    <published>2018-06-18T20:52:58Z</published>
    <updated>2018-06-18T20:52:58Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><img src="/plus/misc/images/cold-war-calendar-01.jpg" width="1200" height="864" border="0" alt="Cold War Calendar" /></p>

<p><img src="/plus/misc/images/cold-war-calendar-02.jpg" width="1200" height="863" border="0" alt="Cold War Calendar" /></p>

<p><img src="/plus/misc/images/cold-war-calendar-03.jpg" width="1200" height="901" border="0" alt="Cold War Calendar" /></p>

<p>All through the 1980s, a disgruntled Department of Defense analyst <a href="https://bostonraremaps.com/inventory/1980s-illustrated-cold-war-calendars/">adorned his daily desk calendar with all sorts of illustrations and commentary on the news</a>.</p>

<blockquote><p>The majority of the entries focus on domestic politics and international affairs, providing (with the exception of 1988) a day-by-day view of the Reagan Administration and the waning years of the Cold War.  It all seems to be here: the end of the Iran hostage crisis, the invasion of Afghanistan, Poland&#8217;s Solidarity movement, supply-side economics, and the Space Shuttle, to name just a few, along with hundreds of lesser-known events all but forgotten today except by scholars.</p></blockquote>

<p>What a wonderful piece of folk art. (via <a href="https://www.theparisreview.org/blog/2018/06/13/a-disgruntled-federal-employees-1980s-desk-calendar/">the paris review</a>)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/art">art</a>]]>
    </content>
</entry>

<entry>
    <title>Those grainy Moon photos from the 60s? The actual high-res images looked so much better.</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/those-grainy-moon-photos-from-the-60s-the-actual-high-res-images-looked-so-much-better" />
    <id>tag:kottke.org,2018://5.32340</id>

    <published>2018-06-18T19:02:12Z</published>
    <updated>2018-06-18T19:02:12Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>In 1966 and 1967, NASA <a href="https://www.lpi.usra.edu/resources/lunarorbiter/">sent five spacecraft</a> to orbit the Moon to take high-resolution photos to aid in finding a good landing spot for the Apollo missions. NASA released some photos to the public and they were extremely grainy and low resolution <a href="http://www.worldofindie.co.uk/?p=682">because they didn&#8217;t want the Soviet Union to know the capabilities of US spy satellites</a>. Here&#8217;s a comparison to what the public saw at the time versus how the photos actually looked:</p>

<p><img src="/plus/misc/images/old-moon-new-moon.jpg" width="1000" height="1081" border="0" alt="Old Moon New Moon" /></p>

<blockquote><p>The Lunar Orbiters never returned to Earth with the imagery. Instead, the Orbiter developed the 70mm film (yes film) and then raster scanned the negatives with a 5 micron spot (200 lines/mm resolution) and beamed the data back to Earth using lossless analog compression, which was yet to actually be patented by anyone. Three ground stations on earth, one of which was in Madrid, another in Australia and the other in California recieved the signals and recorded them. The transmissions were recorded on to magnetic tape. The tapes needed Ampex FR-900 drives to read them, a refrigerator sized device that cost $300,000 to buy new in the 1960&#8217;s.</p></blockquote>

<p>The high-res photos were only revealed in 2008, after a volunteer restoration effort undertaken in an abandoned McDonald&#8217;s <a href="http://www.worldofindie.co.uk/?p=682">nicknamed McMoon</a>.</p>

<blockquote><p>They were huge files, even by today&#8217;s standards. One of the later images can be as big as 2GB on a modern PC, with photos on top resolution DSLRs only being in the region of 10MB you can see how big these images are. One engineer said you could blow the images up to the size of a billboard without losing any quality. When the initial NASA engineers printed off these images, they had to hang them in a church because they were so big. The below images show some idea of the scale of these images. Each individual image when printed out was 1.58m by 0.4m.</p></blockquote>

<p><a href="https://loirp.arc.nasa.gov/loirp_gallery/">You can view a collection of some of the images here</a>.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Moon">Moon</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/NASA">NASA</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/photography">photography</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/space">space</a>]]>
    </content>
</entry>

<entry>
    <title>Iceland&#8217;s goalkeeper directed a TV commercial for the World Cup</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/icelands-goalkeeper-directed-a-tv-commercial-for-the-world-cup" />
    <id>tag:kottke.org,2018://5.32338</id>

    <published>2018-06-18T17:19:40Z</published>
    <updated>2018-06-18T17:19:40Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>The Iceland men&#8217;s soccer team is nearly impossible not to root for in this World Cup. They are the smallest nation by population ever to qualify for a World Cup. Their coach is a dentist and still maintains his hometown dental practice. <a href="https://www.si.com/soccer/2018/06/15/iceland-skol-clap-meaning-explained-world-cup-history">The Skol chant</a> done by the team&#8217;s fans is a great addition to the collection of international soccer chants & songs. All great underdog stuff.</p>

<p>Adding to that, their goalkeeper Hannes Thor Halld&oacute;rsson is a former film director who, until four years ago, pursued soccer as a second job. In anticipation for the World Cup, Halld&oacute;rsson stepped back into his old job to direct a commercial for Coca-Cola featuring the Icelandic men&#8217;s national team and the Skol chant.</p>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/fdS6lVtzZdw" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>Pretty good for a keeper. Is this the best commercial ever made by someone who has also kept clean sheets against both Lionel Messi and Cristiano Ronaldo?</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/2018%20World%20Cup">2018 World Cup</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/advertising">advertising</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Coca-Cola">Coca-Cola</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Hannes%20Thor%20Halldorsson">Hannes Thor Halldorsson</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Iceland">Iceland</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/soccer">soccer</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/sports">sports</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/TV">TV</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>America&#8217;s inhumane child separation policy &amp; our border concentration camps</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/americas-inhumane-child-separation-policy-our-border-concentration-camps" />
    <id>tag:kottke.org,2018://5.32337</id>

    <published>2018-06-18T13:37:10Z</published>
    <updated>2018-06-18T13:37:10Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><img src="/plus/misc/images/child-separation.jpg" width="1000" height="673" border="0" alt="Child Separation" /></p>

<p>No use sugar-coating it: the federal government of the United States of America now has a policy of taking children away from their families when they attempt to enter the US to request political asylum from violence & hardship in their native countries. These children and their parents are placed into concentration camps. The government is doing this <a href="https://www.nytimes.com/2018/06/16/us/politics/family-separation-trump.html">as a deterrent for further immigration and for political leverage</a>.</p>

<blockquote><p>But Mr. Miller has expressed none of the president&#8217;s misgivings. &#8220;No nation can have the policy that whole classes of people are immune from immigration law or enforcement,&#8221; he said during an interview in his West Wing office this past week. &#8220;It was a simple decision by the administration to have a zero tolerance policy for illegal entry, period. The message is that no one is exempt from immigration law.&#8221;</p></blockquote>

<p><a href="https://www.texasmonthly.com/news/whats-really-happening-asylum-seeking-families-separated/">Texas Monthly interviewed Anne Chandler</a>, the director of a nonprofit that focuses on helping immigrant women and children. She spoke about what the zero tolerance policy means:</p>

<blockquote><p>TM: So, just so I make sure I understand: the parents come in and say, &#8220;We&#8217;re persecuted&#8221; or give some reason for asylum. They come in. And then their child or children are taken away and they&#8217;re in lockup for at least six weeks away from the kids and often don&#8217;t know where the kids are. Is that what&#8217;s happening under zero tolerance?</p>

<p>AC: So the idea of zero tolerance under the stated policy is that we don&#8217;t care why you&#8217;re afraid. We don&#8217;t care if it&#8217;s religion, political, gangs, anything. For all asylum seekers, you are going to be put in jail, in a detention center, and you&#8217;re going to have your children taken away from you. That&#8217;s the policy.</p></blockquote>

<p><a href="http://www.latimes.com/nation/la-na-border-migrant-shelter-20180614-story.html">Children and their parents are being held in private jails</a><sup id="fnref:1529326109"><a href="#fn:1529326109" rel="footnote">1</a></sup> built and operated at the US government&#8217;s behest.</p>

<blockquote><p>Colleagues at a government-contracted shelter in Arizona had a specific request for Antar Davidson when three Brazilian migrant children arrived: &#8220;Tell them they can&#8217;t hug.&#8221;</p>

<p>Davidson, 32, is of Brazilian descent and speaks Portuguese. He said the siblings &#8212; ages 16, 10 and 6 &#8212; were distraught after being separated from their parents at the border. The children were &#8220;huddled together, tears streaming down their faces,&#8221; he said.</p>

<p>Officials had told them their parents were &#8220;lost,&#8221; which they interpreted to mean dead. Davidson said he told the children he didn&#8217;t know where their parents were, but that they had to be strong.</p>

<p>&#8220;The 16-year-old, he looks at me and says, &#8216;How?&#8217;&#8221; Davidson said. As he watched the youth cry, he thought, &#8220;This is not healthy.&#8221;</p></blockquote>

<p>Yesterday, <a href="https://www.apnews.com/9794de32d39d4c6f89fbefaea3780769">some reporters were allowed a brief look inside one of these jails in Texas</a>:</p>

<blockquote><p>Inside an old warehouse in South Texas, hundreds of children wait in a series of cages created by metal fencing. One cage had 20 children inside. Scattered about are bottles of water, bags of chips and large foil sheets intended to serve as blankets.</p>

<p>One teenager told an advocate who visited that she was helping care for a young child she didn&#8217;t know because the child&#8217;s aunt was somewhere else in the facility. She said she had to show others in her cell how to change the girl&#8217;s diaper.</p></blockquote>

<p>The traumatic effects of being kept away from parents are deep and long lasting. <a href="https://twitter.com/dellcam/status/1007800088759021568">Dell Cameron shares his story</a> of being separated from his parents as a child.</p>

<blockquote><p>The trauma came from being separated from parents, who I knew were out there, and when I saw them, would tell me they were doing everything to get me home. But it took years. Hope is what I lost as a child. It was destroyed by the state.</p>

<p>When on occasion my dad was allowed to visit, watching him leave utterly destroyed me. I mean, I&#8217;d fly into insanity. I would pick up things and smash windows once his truck drove around the corner. Then I&#8217;d be punished, very harshly.</p>

<p>When I was 10 or 11 I got out. I was in custody for damn, most of my childhood. It was impossible to acclimate. I didn&#8217;t fit anywhere. I had no comprehension of freedom, as my dad&#8217;s step kids understood it. I didn&#8217;t understand I could walk outside without permission&#8230; for months</p></blockquote>

<p><a href="https://www.nytimes.com/2018/06/17/us/immigration-deported-parents.html">When this Guatemalan woman and her son tried to enter the United States</a>, they were separated and she was sent back to Guatemala while her 8-year-old son remains in one of the camps in the US. This is going to do unimaginable harm to this child, not to mention to his mother and everyone else in the family.</p>

<blockquote><p>They&#8217;d had a plan: Elsa Johana Ortiz Enriquez packed up what little she had in Guatemala and traveled across Mexico with her 8-year-old son, Anthony. In a group, they rafted across the Rio Grande into Texas. From there they intended to join her boyfriend, Edgar, who had found a construction job in the United States.</p>

<p>Except it all went wrong. The Border Patrol was waiting as they made their way from the border on May 26, and soon mother and son were in a teeming detention center in southern Texas. The next part unfolded so swiftly that, even now, Ms. Ortiz cannot grasp it: Anthony was sent to a shelter for migrant children. And she was put on a plane back to Guatemala.</p>

<p>&#8220;I am completely devastated,&#8221; Ms. Ortiz, 25, said in one of a series of video interviews last week from her family home in Guatemala. Her eyes swollen from weeping and her voice subdued, she said she had no idea when or how she would see her son again.</p>

<p>As the federal government continues to separate families as part of a stepped-up enforcement program against those who cross the border illegally, the authorities say that parents are not supposed to be deported without their children. But immigration lawyers say that has happened in several cases. And the separations can be traumatic for parents who now have no clear path to recovering their children.</p></blockquote>

<p>Vermont Congressman Peter Welch recently visited a &#8220;processing facility&#8221; (the scare quotes are his) and <a href="https://twitter.com/PeterWelch/status/1008443564404236294">declared it to be &#8220;nothing short of a prison&#8221;</a>.</p>

<blockquote><p>I just exited a border patrol &#8220;processing facility&#8221; known as the &#8220;icebox.&#8221; It is nothing short of a prison.</p>

<p>I saw chain link cages full of unaccompanied children. They sat on metal benches and stared straight ahead silently</p>

<p>And I met a woman named Reina who was being extorted in Guatemala. She traveled 14 days with her 13 year old daughter and turned herself in at the border for asylum.</p>

<p>She hasn&#8217;t seen her daughter in two days and didn&#8217;t know where she was. No one had told her that her daughter had been taken to a shelter.</p></blockquote>

<p>Today, the United Nations high commissioner for human rights <a href="https://www.nytimes.com/2018/06/18/world/europe/trump-migrant-children-un.html">called for the US to stop the practice of separating children from parents</a>.</p>

<blockquote><p>The United Nations&#8217; top human rights official on Monday entered the mounting furor over the Trump administration&#8217;s policy of separating undocumented immigrant children from their parents, calling for an immediate halt to a practice he condemned as abuse.</p>

<p>United States immigration authorities have detained almost 2,000 children in the past six weeks, which may cause them irreparable harm with lifelong consequences, said Zeid Ra&#8217;ad al-Hussein, the United Nations high commissioner for human rights.</p>

<p>He cited anobservation by the president of the American Association of Pediatrics that locking the children up separately from their parents constituted &#8220;government-sanctioned child abuse.&#8221;</p>

<p>&#8220;The thought that any state would seek to deter parents by inflicting such abuse on children is unconscionable,&#8221; Mr. al-Hussein said.</p></blockquote>

<p>If you&#8217;re feeling helpless and powerless about this (and I admit that I very much do), <a href="https://slate.com/news-and-politics/2018/06/how-you-can-fight-family-separation-at-the-border.html">Slate</a> and <a href="https://www.thecut.com/2018/06/how-to-help-fight-family-separation-policy-immigration-trump.html">The Cut</a> have listed some ways that you can help the families and children involved and fight for a more humane policy for those seeking a better life here in America.</p>

<p>Photo above <a href="https://www.buzzfeed.com/juliareinstein/photo-migrant-asylum-seeker-child-girl-border-mother">by Getty photographer John Moore</a>.</p>

<p><strong>Update:</strong> From ProPublica, <a href="https://www.propublica.org/article/children-separated-from-parents-border-patrol-cbp-trump-immigration-policy">Listen to Children Who&#8217;ve Just Been Separated From Their Parents at the Border</a>.</p>

<blockquote><p>The desperate sobbing of 10 Central American children, separated from their parents one day last week by immigration authorities at the border, makes for excruciating listening. Many of them sound like they&#8217;re crying so hard, they can barely breathe. They scream &#8220;Mami&#8221; and &#8220;Pap&aacute;&#8221; over and over again, as if those are the only words they know.</p>

<p>The baritone voice of a Border Patrol agent booms above the crying. &#8220;Well, we have an orchestra here,&#8221; he jokes. &#8220;What&#8217;s missing is a conductor.&#8221;</p></blockquote>

<p>Holy hell.</p>

<p><strong>Update:</strong> Drs. Margaret Sheridan and Charles Nelson writing for the NY Times about <a href="https://www.nytimes.com/2018/05/30/opinion/how-to-turn-children-into-criminals.html">a study they conducted that shows how adversely family separation affects children</a>.</p>

<blockquote><p>As members of a team of researchers who have investigated the impact of separating children from their parents during early childhood, we were struck by another aspect of this news: In an effort to increase security, the Trump administration has hit upon a policy that we know is actually likely to increase delinquency and criminality among these children in the future. While trying to protect American citizens, the administration may be placing them in greater jeopardy.</p>

<p>If we have learned nothing else in the past 50 years of research on child development, it is that children do best in families and that violating this norm has terrible effects.</p></blockquote>

<ol><li class="footnote" id="fn:1529326109"><p>Many news organizations are using the words &#8220;facility&#8221; or &#8220;shelter&#8221; but that terminology implies that people are free to leave, which they are not, and this definitely isn&#8217;t sheltering. These are jails and concentration camps (so says <a href="https://twitter.com/andreapitzer/status/1008329672080412672">a women who wrote a history of concentration camps</a>) and I will refer to them as such. <a href="https://kottke.org/15/10/new-language-for-slavery-and-the-civil-war">Language is important</a>.<a href="#fnref:1529326109" title="return to article">&#x21A9;</a><p></li></ol>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/legal">legal</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/politics">politics</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/USA">USA</a>]]>
    </content>
</entry>

<entry>
    <title>The chimeras of the NYC subway</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-chimeras-of-the-nyc-subway" />
    <id>tag:kottke.org,2018://5.32327</id>

    <published>2018-06-14T22:54:32Z</published>
    <updated>2018-06-14T22:54:32Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>The NYC subway is home to many interesting <a href="https://www.magnumphotos.com/arts-culture/society-arts-culture/bruce-davidson-subway/">characters</a> and <a href="http://knowyourmeme.com/memes/pizza-rat">creatures</a> but perhaps none as delightfully weird as <a href="http://grabelsky.com/works.php">Matthew Grabelsky&#8217;s straphanger chimeras</a>.</p>

<p><img src="/plus/misc/images/matthew-grabelsky-01.jpg" width="1000" height="1249" border="0" alt="Matthew Grabelsky" /></p>

<p><img src="/plus/misc/images/matthew-grabelsky-02.jpg" width="1000" height="1286" border="0" alt="Matthew Grabelsky" /></p>

<p><img src="/plus/misc/images/matthew-grabelsky-03.jpg" width="1000" height="1334" border="0" alt="Matthew Grabelsky" /></p>

<p>(via <a href="http://www.thisiscolossal.com/2018/06/new-york-city-subway-matthew-grabelsky/">colossal</a>)</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/art">art</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Matthew%20Grabelsky">Matthew Grabelsky</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/NYC">NYC</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/remix">remix</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/subway">subway</a>]]>
    </content>
</entry>

<entry>
    <title>New Dark Age: Technology and the End of the Future</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/new-dark-age-technology-and-the-end-of-the-future" />
    <id>tag:kottke.org,2018://5.32326</id>

    <published>2018-06-14T21:39:22Z</published>
    <updated>2018-06-14T21:39:22Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>Artist, writer, and thinker <a href="http://jamesbridle.com/works/the-new-aesthetic">James Bridle</a> is an interesting fellow. He coined the term <a href="http://jamesbridle.com/works/the-new-aesthetic">New Aesthetic</a> in 2011. <a href="http://jamesbridle.com/works/dronestagram">Dronestagram</a> was a three-year project where he posted satellite photos of drone strike locations to social media. He built <a href="https://kottke.org/17/03/a-trap-for-self-driving-cars">a trap for self-driving cars</a>. Last year, <a href="https://medium.com/@jamesbridle/something-is-wrong-on-the-internet-c39c471271d2">he wrote a widely read essay</a> on how YouTube&#8217;s recommendation algorithms are being used &#8220;systematically frighten, traumatise, and abuse children, automatically and at scale&#8221;.</p>

<p><a href="https://www.amazon.com/exec/obidos/ASIN/178663547X/ref=nosim/0sil8"><img src="/plus/misc/images/new-dark-age.jpg" width="1000" height="1412" border="0" alt="New Dark Age" /></a></p>

<p><a href="https://www.amazon.com/exec/obidos/ASIN/178663547X/ref=nosim/0sil8">In his forthcoming book</a>, Bridle argues that we&#8217;re living in a New Dark Age, where it&#8217;s not so much the lack of information as too much information that&#8217;s the issue.</p>

<blockquote><p>In actual fact, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the accessibility of information, we&#8217;re living in a new Dark Age.</p>

<p>From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.</p></blockquote>

<p>As I wrote recently, <a href="https://kottke.org/18/06/ten-guidelines-for-nurturing-a-thriving-democracy-by-bertrand-russell">&#8220;we&#8217;re under a constant denial-of-service attack on our ability to think and reason&#8221;</a>.</p>

<p><strong>Update:</strong> The Guardian <a href="https://www.theguardian.com/books/2018/jun/15/rise-of-the-machines-has-technology-evolved-beyond-our-control-">has an extended excerpt</a> of Bridle&#8217;s book.</p>

<blockquote><p>Today the cloud is the central metaphor of the internet: a global system of great power and energy that nevertheless retains the aura of something numinous, almost impossible to grasp. We work in it; we store and retrieve stuff from it; it is something we experience all the time without really understanding what it is. But there&#8217;s a problem with this metaphor: the cloud is not some magical faraway place, made of water vapour and radio waves, where everything just works. It is a physical infrastructure consisting of phone lines, fibre optics, satellites, cables on the ocean floor, and vast warehouses filled with computers, which consume huge amounts of water and energy. Absorbed into the cloud are many of the previously weighty edifices of the civic sphere: the places where we shop, bank, socialise, borrow books and vote. Thus obscured, they are rendered less visible and less amenable to critique, investigation, preservation and regulation.</p></blockquote>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/books">books</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/James%20Bridle">James Bridle</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/New%20Dark%20Age">New Dark Age</a>]]>
    </content>
</entry>

<entry>
    <title>The Confederacy lives on in several official US state flags</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-confederacy-lives-on-in-several-official-state-flags" />
    <id>tag:kottke.org,2018://5.32323</id>

    <published>2018-06-14T19:32:14Z</published>
    <updated>2018-06-14T19:32:14Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>According to <a href="https://www.splcenter.org/data-projects/whose-heritage">Whose Heritage?</a>, a report by the Southern Poverty Law Center on public symbols of the Confederacy, progress over the past two years on removing statues, flags, and other symbols from public places has been slow.</p>

<blockquote><p>The 2015 massacre of nine African Americans at the historic &#8220;Mother Emanuel&#8221; church in Charleston sparked a nationwide movement to remove Confederate monuments, flags and other symbols from the public square, and to rename schools, parks, roads and other public works that pay homage to the Confederacy. Yet, today, the vast majority of these emblems remain in place.</p>

<p>In this updated edition of the 2016 report Whose Heritage?, the SPLC identifies 110 Confederate symbols that have been removed since the Charleston attack &#8212; and 1,728 that still stand.</p></blockquote>

<p>Still very much standing, for instance, <a href="https://www.splcenter.org/fighting-hate/intelligence-report/2018/stone-mountain-monumental-dilemma">the Mount Rushmore of the Confederacy in Georgia</a>, a massive stone carving featuring Jefferson Davis, Robert E. Lee and Thomas &#8220;Stonewall&#8221; Jackson.</p>

<p>And perhaps even worse, not represented on this map are Confederate symbols that are part of the official identities of many Southern states. Did you know <a href="https://en.wikipedia.org/wiki/Flag_of_Mississippi">Mississippi&#8217;s official state flag</a> still contains the Confederate battle flag?</p>

<p><img src="/plus/misc/images/mississippi-flag.jpg" width="900" height="600" border="0" alt="Mississippi Flag" /></p>

<p>As of the 2010 Census, ~37% of Mississippi&#8217;s population is African American and due to the relative youth of the state&#8217;s African Americans and the wealth of the state&#8217;s whites (who are able to send their kids to private school), most of the state&#8217;s public schools are majority black. That percentage would be much higher had not so many African Americans left the state during the Great Migration. The pledge to this flag, which is <a href="https://law.justia.com/codes/mississippi/2013/title-37/chapter-13/in-general/section-37-13-7">taught in public schools</a>, reads &#8220;I salute the flag of Mississippi and the sovereign state for which it stands with pride in her history and achievements and with confidence in her future under the guidance of Almighty God.&#8221; Could you imagine being the descendant of a former slave being made to pledge allegiance to a symbol used by people who fought a war to deny the personhood of your ancestors?</p>

<p>Mississippi&#8217;s flag contains the most familiar reference to the Confederacy, but <a href="https://en.wikipedia.org/wiki/Modern_display_of_the_Confederate_flag#Official_usage_in_southern_U.S._states">many other state flags have Confederate references</a>. Georgia&#8217;s flag contained the Confederate battle flag from 1956 to 2003 and <a href="https://en.wikipedia.org/wiki/Flag_of_Georgia_(U.S._state)">the current flag</a> is modeled after the first national flag of the Confederacy. The flags of Florida and Alabama contain St. Andrew&#8217;s Crosses, thought to be references to the stars and bars of Confederate battle flag. The Arkansas state flag contains four stars on a white background, one of which represents the Confederacy, along with a deconstructed stars and bars pattern. <a href="https://en.wikipedia.org/wiki/Flag_of_North_Carolina">North Carolina&#8217;s flag</a> is based on a design adopted shortly after the state seceded from the United States. Residents of many states can also get official state license plates with Confederate symbols on them and some state seals have Confederate references.</p>

<p>Lots of progress still to go on that journey towards a <a href="https://en.wikipedia.org/wiki/Post-racial_America">post-racial America</a> I guess&#8230;</p>

<p><strong>Update:</strong> A new Confederate monument <a href="https://twitter.com/LilianaSegura/status/1007605006676189184">was just erected last week near Mobile, Alabama</a>. <a href="https://twitter.com/radleybalko/status/1007616290394181632">Here&#8217;s what the plaque says about the Confederacy</a>:</p>

<blockquote><p>The northern Union aggressively prosecuted its war to subjugate the Confederate States. Union forces continued invading and waging war in the field, on cities, and on homesteads in the Confederacy causing more American deaths in both countries than the combined totalitarian regimes of the twentieth century. About two-thirds of these deaths were Union military sent to kill Confederate Americans. The Union&#8217;s army was about 3 times larger and it possessed about 20 times the industrial arms capacity of the CSA. It succeeded in militarily prevailing over the Confederate forces after four years. The last major land battle occurred in April of 1865 here and at Ft. Blakeley. The elected government of the CSA was scattered, the American States of that country occupied by northern forces, and the citizens&#8217; rights suppressed.</p>

<p>In April 1865, the Union President was shot watching a comedy play in his capitol of Washington City &#8212; almost exactly four years after he sent his warships into the CSA initiating the War Between the States. The Confederacy&#8217;s President was seized and imprisoned in May 1865 after he had to flee his capitol of Richmond, Virginia, due to the approach of invading Union forces.</p></blockquote>

<p>For many, the Civil War never quite ended.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Civil%20War">Civil War</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/design">design</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/flags">flags</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/racism">racism</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/war">war</a>]]>
    </content>
</entry>

<entry>
    <title>Are we completely fucked because of climate change?</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/are-we-completely-fucked-because-of-climate-change" />
    <id>tag:kottke.org,2018://5.32322</id>

    <published>2018-06-14T17:31:14Z</published>
    <updated>2018-06-14T17:31:14Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><a href="https://thebaffler.com/latest/carbon-ironies-stephenson">In a review</a> of William T. Vollman&#8217;s Carbon Ideologies, a <a href="https://www.amazon.com/exec/obidos/ASIN/0399563490/ref=nosim/0sil8">two-volume</a> <a href="https://www.amazon.com/exec/obidos/ASIN/0525558497/ref=nosim/0sil8">set of books</a> that the review calls &#8220;the Infinite Jest of climate books&#8221;, Wen Stephenson succinctly answers a question about our climate that is on many people&#8217;s minds: Are we completely fucked because of climate change?</p>

<blockquote><p>Yes, of course, we&#8217;re fucked. (Though it&#8217;s important to specify the &#8220;we&#8221; in this formulation, because the global poor, the disenfranchised, the young, and the yet-to-be-born are certifiably <em>far more fucked</em> than such affluent, white, middle-aged Americans as Vollmann and myself.) But here&#8217;s the thing: with climate change as with so much else, <em>all fuckedness is relative</em>. Climate catastrophe is not a binary <em>win</em> or <em>lose</em>, <em>solution</em> or <em>no-solution</em>, <em>fucked</em> or <em>not-fucked</em> situation. Just <em>how fucked</em> we/they will be &#8212; that is, what kind of civilization, or any sort of social justice, will be possible in the coming centuries or decades &#8212; depends on many things, including all sorts of historic, built-in systemic injustices we know all too well, and any number of contingencies we can&#8217;t foresee. But most of all it depends on <em>what we do right now</em>, in our lifetimes. And by that I mean: what we do <em>politically</em>, not only on climate but across the board, because large-scale political action &#8212; the kind that moves whole countries and economies in ways commensurate with the scale and urgency of the situation &#8212; has always been the only thing that matters here. (I really don&#8217;t care about your personal carbon footprint. I mean, please do try to lower it, because that&#8217;s a good thing to do, but fussing and guilt-tripping over one&#8217;s <em>individual</em> contribution to climate change is neither an intellectually nor a morally serious response to a <em>global systemic crisis</em>. That this still needs to be said in 2018 is, to say the least, somewhat disappointing.)</p></blockquote>

<p>I got this <a href="https://twitter.com/yayitsrob/status/1007277353570131968">via Robinson Meyer</a>, who calls it &#8220;as good an answer as I&#8217;ve seen&#8221;.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/books">books</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Carbon%20Ideologies">Carbon Ideologies</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/global%20warming">global warming</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Robinson%20Meyer">Robinson Meyer</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Wen%20Stephenson">Wen Stephenson</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/William%20T.%20Vollman">William T. Vollman</a>]]>
    </content>
</entry>

<entry>
    <title>Who could jump higher on a trampoline, LeBron James or Simone Biles?</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/who-could-jump-higher-on-a-trampoline-lebron-james-or-simone-biles" />
    <id>tag:kottke.org,2018://5.32321</id>

    <published>2018-06-14T16:16:35Z</published>
    <updated>2018-06-14T16:16:35Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><img src="/plus/misc/images/biles-vs-lebron.jpg" width="634" height="858" border="0" alt="Biles Vs Lebron" /></p>

<p>An interesting question, <a href="https://marginalrevolution.com/marginalrevolution/2018/06/trampoline-question.html">courtesy of Marginal Revolution</a>:</p>

<blockquote><p>Who could launch themselves higher on a trampoline? LeBron James or Simone Biles?</p></blockquote>

<p>James has more mass & height and is stronger in an absolute sense but Biles is extremely strong for her size and is one of the world&#8217;s leading experts in launching herself of off trampolines (or more properly, <a href="https://www.youtube.com/watch?v=xzPwjQkE038">vault springboards</a>). </p>

<p>The answer would depend a great deal on what is meant by &#8220;launch themselves higher&#8221;. If the height is judged as a percentage of body weight or height, Biles wins easily. If you&#8217;re talking about absolute height (as measured from the lowest point on their body at the jump&#8217;s peak), James&#8217; greater mass and absolute strength works for him but Biles&#8217; ability to time her jumps to build momentum and her acrobatic skill in getting more of her body higher may put her ahead of James. If their bodies need to remain vertical at the highest point in the jump (think a basketball player&#8217;s form vs. a high jumper&#8217;s), perhaps that favors James, even though his legs are much longer than Biles&#8217;, measuring from their centers of gravity.<br />
 <br />
From a pure physics perspective, is the trampoline just a multiplier of a person&#8217;s max vertical? James&#8217; max vertical is said to be around 40 inches. Biles&#8217; max vertical is harder to determine because gymnasts jumps are measured differently, but she can get her body about 53 inches off the floor (according to <a href="https://www.quora.com/How-high-does-Simone-Biles-jump-in-her-floor-exercises/answer/Maurizio-Mastroianni">this analysis</a>). Can James get his entire body 53 inches off the floor? What&#8217;s his box jump height? I imagine with various slow-motion videos, you could figure out which of them can get their center of gravity furthest off the ground&#8230;but handspringing into a layout, dunking, and bouncing on a trampoline are still not equivalent activities. The only real way to settle this is clear: let&#8217;s get James and Biles together at a trampoline park and have them go at it. Netflix, YouTube, Amazon, or Twitter&#8230;make this spectacle happen!</p>

<p>A related question: Can Simone Biles dunk a basketball? A regulation hoop is 10 feet tall. I&#8217;m assuming she can&#8217;t palm a basketball but she might still be able to do a one-handed dunk with practice. Her height plus her floor exercise max height is 110 inches, about 9&#8217;2&#8221;. I don&#8217;t know how high her standing reach is, but assuming a similar ratio to mine (my reach is 25% of my height), that puts her theoretical maximum jumping reach, with many caveats, at about 124 inches (10&#8217;4&#8221;). A regulation WNBA ball has a diameter of about 9 inches. Soooooo&#8230;.maybe but probably not? But if not, she could surely come closer than any other person in the world who is 4&#8217;9&#8221;.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/basketball">basketball</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/gymnastics">gymnastics</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/LeBron%20James">LeBron James</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Simone%20Biles">Simone Biles</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/sports">sports</a>]]>
    </content>
</entry>

<entry>
    <title>How the Earth&#8217;s continents will look 250 million years from now</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/how-the-earths-continents-will-look-250-million-years-from-now" />
    <id>tag:kottke.org,2018://5.32315</id>

    <published>2018-06-14T01:11:04Z</published>
    <updated>2018-06-14T01:11:04Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe width="560" height="315" src="https://www.youtube.com/embed/uLahVJNnoZ4" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p><a href="https://kottke.org/18/06/locate-modern-addresses-on-earth-240-million-years-ago">Speaking of Pangaea</a>, this video shows how the present-day continents came to be formed from the Pangaea supercontinent about 240 million years ago, then shows what the Earth&#8217;s surface <em>might</em> look like 250 million years in the future, <em>if</em> the tectonic plates continue to move in predictable ways.</p>

<blockquote><p>I hope this explanation is helpful. Of course all of this is scientific speculation, we will have to wait and see what happens, but this is my projection based on my understanding of the forces that drive plate motions and the history of past plate motions. Remember: &#8220;The past reveals patterns; Patterns inform process; Process permits prediction.&#8221;</p></blockquote>

<p>Look at how quickly India slams into the Asian continent&#8230;no wonder the Himalayas are so high.<sup id="fnref:1528938281"><a href="#fn:1528938281" rel="footnote">1</a></sup> And it&#8217;s interesting that we&#8217;re essentially bookended by two supercontinents, the ancient Pangaea and Pangaea Proxima in the future.</p>

<ol><li class="footnote" id="fn:1528938281"><p>Though they may not be able to grow much more. Erosion and gravity <a href="https://earthscience.stackexchange.com/questions/8910/himalayas-are-currently-rising-what-will-be-the-highest-point-they-can-reach">work to keep the maximum height in check</a>.<a href="#fnref:1528938281" title="return to article">&#x21A9;</a><p></li></ol>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/maps">maps</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Pangaea">Pangaea</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/science">science</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>In Search of Forgotten Colors</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/in-search-of-forgotten-colors" />
    <id>tag:kottke.org,2018://5.32312</id>

    <published>2018-06-13T18:16:27Z</published>
    <updated>2018-06-13T18:16:27Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe width="560" height="315" src="https://www.youtube.com/embed/7OiG-WjbCQA" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>The Victoria and Albert Museum filmed this short four-part documentary about the Somenotsukasa Yoshioka dye workshop near Kyoto, Japan. They make dyes using only natural materials, producing vibrant colors using little-used and often long-forgotten techniques.</p>

<blockquote><p>Sachio Yoshioka is the fifth-generation head of the Somenotsukasa Yoshioka dye workshop in Fushimi, southern Kyoto. When he succeeded to the family business in 1988, he abandoned the use of synthetic colours in favour of dyeing solely with plants and other natural materials. 30 years on, the workshop produces an extensive range of extremely beautiful colours.</p></blockquote>

<p>Another great find from internet gem <a href="http://thekidshouldseethis.com/post/in-search-of-forgotten-colours-sachio-yoshioka-and-the-art-of-natural-dyeing">The Kid Should See This</a>.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/color">color</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/fashion">fashion</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/how%20to">how to</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Japan">Japan</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>The comic tragedy of Balloonfest &#8216;86</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/the-comic-tragedy-of-balloonfest-86" />
    <id>tag:kottke.org,2018://5.32311</id>

    <published>2018-06-13T16:09:34Z</published>
    <updated>2018-06-13T16:09:34Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p><iframe width="560" height="315" src="https://www.youtube.com/embed/n0CT8zrw6lw" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<p>In September 1986, as part of a United Way fundraiser, the city of Cleveland <a href="https://en.wikipedia.org/wiki/Balloonfest_%2786">released 1.5 million balloons simultaneously</a> in a bid to get into the Guinness Book of World Records. As this short documentary by Nathan Truesdell shows, <a href="https://www.theatlantic.com/video/index/562556/cleveland-balloonfest/">things didn&#8217;t really go according to plan</a>.</p>

<blockquote><p>Nathan Truesdell&#8217;s short documentary, Balloonfest, depicts the helium-filled spectacle using archival news footage from local television stations. When the balloons are first released, they form a mass of colorful orbs that wraps around Cleveland&#8217;s Terminal Tower, by turns resembling a meteorological phenomenon, a mushroom cloud, or a locust infestation. The image is both awe-inspiring and haunting.</p></blockquote>

<p>The local news footage is kind of amazing. One of the news reporters inexplicably kisses a woman goodbye he&#8217;d just interviewed on-air. When the balloons are released, another commentator screams that America doesn&#8217;t have crappy ol&#8217; Cleveland to kick around anymore because baaaallllllloooooooooooons!!</p>

<p>I remember seeing this stunt when I was a kid, probably on Tom Brokaw on NBC&#8217;s Nightly News broadcast. This kind of ballooning was big in the mid-80s. Right around the same time, we did a balloon release at school. Each student tied a card with their name and the school&#8217;s address on it onto a helium balloon in the hope that whoever found the balloon would write back with their location, which locations would collectively be plotted on a map for unspecified learning purposes. I never heard back about my balloon, and I don&#8217;t think anyone else did either.</p>

<p>Balloon messaging turns out to be a very low bandwidth communications medium &#8212; and not very good for the environment either. Sometime after Balloonfest &#8216;86, mass balloon releases began to be discouraged as people realized it was actually just littering on a massive scale and harmful to wildlife. Fun while it lasted though, I guess.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/Nathan%20Truesdell">Nathan Truesdell</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>

<entry>
    <title>&#8220;Today&#8217;s Masculinity Is Stifling&#8221;</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/todays-masculinity-is-stifling" />
    <id>tag:kottke.org,2018://5.32305</id>

    <published>2018-06-13T14:08:02Z</published>
    <updated>2018-06-13T14:08:02Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>For The Atlantic, Sarah Rich writes about <a href="https://www.theatlantic.com/family/archive/2018/06/imagining-a-better-boyhood/562232/">how stifling masculinity can be for some children and their parents</a>.</p>

<blockquote><p>As much as feminism has worked to rebalance the power and privilege between the sexes, the dominant approach to launching young women into positions that garner greater respect, higher status, and better pay still mostly maintains the association between those gains and masculine qualities. Girls&#8217; empowerment programs teach assertiveness, strength, and courage &#8212; and they must to equip young women for a world that still overwhelmingly favors men.</p>

<p>Last year, when the Boys Scouts of America announced that they would begin admitting girls into their dens, young women saw a wall come down around a territory that was now theirs to occupy. Parents across the country had argued that girls should have equal access to the activities and pursuits of boys&#8217; scouting, saying that Girl Scouts is not a good fit for girls who are &#8220;more rough and tumble.&#8221; But the converse proposition was essentially non-existent: Not a single article that I could find mentioned the idea that boys might not find Boy Scouts to be a good fit &#8212; or, even more unspeakable, that they would want to join the Girl Scouts.</p>

<p>If it&#8217;s difficult to imagine a boy aspiring to the Girl Scouts&#8217; merit badges (oriented far more than the boys&#8217; toward friendship, caretaking, and community), what does that say about how American culture regards these traditionally feminine arenas? And what does it say to boys who think joining the Girl Scouts sounds fun? Even preschool-age boys know they&#8217;d be teased or shamed for disclosing such a dream.</p>

<p>While society is chipping away at giving girls broader access to life&#8217;s possibilities, it isn&#8217;t presenting boys with a full continuum of how they can be in the world. To carve out a masculine identity requires whittling away everything that falls outside the norms of boyhood. At the earliest ages, it&#8217;s about external signifiers like favorite colors, TV shows, and clothes. But later, the paring knife cuts away intimate friendships, emotional range, and open communication.</p></blockquote>

<p>Rich talks about her young son&#8217;s current penchant for wearing dresses and wishes there was room in society for activity like that.</p>

<blockquote><p>What I want for him, and for all boys, is for the process of becoming men to be expansive, not reductive.</p></blockquote>

<p>Reading this, I thought about <a href="https://www.facebook.com/BonaBudget/posts/10151356677420916">the amazing one-step process for getting a bikini body</a> I read recently: &#8220;Put a bikini on your body.&#8221; It&#8217;s not perfect and this is a lot to ask of society, but perhaps an analogous definition for masculinity is that when a man or boy does something, that&#8217;s masculine.<sup id="fnref:1528838106"><a href="#fn:1528838106" rel="footnote">1</a></sup> Chugging a beer is masculine. Wearing a dress is masculine. Being brave is masculine. Crying is masculine. Playing sports is masculine. Not playing sports is masculine. <a href="https://twitter.com/SInow/status/1006248623879974912">Comforting a friend whose team lost before celebrating with his team</a> is masculine. Anything and everything is masculine. You might argue that broadening the definition of the word to this degree diminishes its power to denote anything meaningful. And you&#8217;d be right, that&#8217;s the point.</p>

<ol><li class="footnote" id="fn:1528838106"><p>Correspondingly, when a woman or a girl does something, that&#8217;s feminine. And when someone who identifies as, for instance, genderqueer does something, that&#8217;s genderqueer. Playing sports is feminine, wearing a dress is genderqueer, etc.<a href="#fnref:1528838106" title="return to article">&#x21A9;</a><p></li></ol>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/gender">gender</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/language">language</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/Sarah%20Rich">Sarah Rich</a>]]>
    </content>
</entry>

<entry>
    <title>Country Time will cover illegal lemonade stand fines and fees this summer</title>
    <link rel="alternate" type="text/html" href="https://kottke.org/18/06/country-time-will-cover-illegal-lemonade-stand-fines-and-fees-this-summer" />
    <id>tag:kottke.org,2018://5.32304</id>

    <published>2018-06-12T21:34:17Z</published>
    <updated>2018-06-12T21:34:17Z</updated>

    <author>
        <name>Jason Kottke</name>
        <uri>http://www.kottke.org</uri>
    </author>
    <content type="html" xml:lang="en" xml:base="https://kottke.org/">
        <![CDATA[<p>The makers of Country Time Lemonade are <a href="https://www.countrytimelegalade.com/">running a unique promotion this summer</a>. If you&#8217;re the parent of a child 14 or younger who has incurred a fine for running an unlicensed lemonade stand or who has paid for a permit, Country Time will &#8220;cover your fine or permit fees up to $300&#8221;. This video explains (ok, I lol&#8217;d at &#8220;tastes like justice&#8221;):</p>

<p><iframe width="560" height="315" src="https://www.youtube.com/embed/kocQvvKoyg4" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>

<blockquote><p>Open to legal residents of the 50 U.S. (including D.C.), who are the parents or legal guardians of a child 14 years of age or younger operating a lemonade stand. Program ends 11:59pm ET on 8/31/18 or when $60,000 worth of offers have been awarded, whichever comes first.</p></blockquote>

<p>In a related promotion, Domino&#8217;s Pizza is <a href="https://www.pavingforpizza.com/">working to fix potholes in streets around the US</a>.</p>

<p>I guess it&#8217;s nice of these companies to step in here, but it&#8217;s sad that America&#8217;s crumbling infrastructure and antiquated legal system have become promotional opportunities for massive multinational corporations that spend millions each year trying to avoid paying local, state, and federal taxes that might conceivably go towards fixing problems like this in a non-ad hoc way. But hey, pizza and lemonade, mmmmmm.</p>]]>

<![CDATA[ <strong>Tags:</strong> <a href="https://kottke.org/tag/food">food</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/legal">legal</a>&nbsp;&nbsp; <a href="https://kottke.org/tag/video">video</a>]]>
    </content>
</entry>



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